Paris Fashion Week: Wakubo Rei'S Destruction Of Hypocrisy, Pretence And Innocence.

The dance hall of the Paris Westin Hotel is magnificent and dazzling, with dense body models and frosting decoration, colorful paintings on the walls and crystal lights on the ceiling.

There is no doubt that this is the place for new fashion designers to welcome guests in the autumn of 2015. The waiter in a white suit will hold a silver tray to offer champagne for the guests.

Why, thank you very much!

But for Undercover's designer Jun Takahashi, there is no traditional sense of nobility.

They are abnormal, strange, and a little bit disobedience.

The oversized Baseball Jacket has wrapped up the body like a luxurious silkworm cocoon, a plucent long white shirt made of irregular Chiffon layers, and a giant flower pattern printed behind it.

He used a layer of smoke and gray.

The body of the wrapped model is underneath a deep red velvet skirt.

Other canvas skirts were painted with Renaissance yellow faces.

Designers such as Gaoqiao shield are known for their love of challenges and even the most basic elements of clothing.

He will question what is the tuxedo, do he have to wear trousers and jackets, or black underwear from fine wool crepe, and white fold tights? Is it not as formal as a bright collar jacket?

Most people do not want their fashion to be too challenging.

Compared with a garment that can earn a lot of turnover, more women prefer a dress that makes them feel comfortable, worthwhile and just right.

This psychology is not very obvious in most formal occasions where we believe that written and unwritten rules should be adhered to.

In the most traditional space, Takahashi showed his completely unconventional work.

In this way, he expanded our endurance.

His autumn work embodies the rule of irregularity.

However, it is exquisite.

How can we celebrate it without champagne?

Fashion rules are the embodiment of people's order needs.

Style rules are subverting, social norms are changing, fashion leaders are in the middle position, and new people still have room for exit.

Last weekend, Junya Watanabe and Haider Ackermann also weakened the cultural assumptions of Watanabe Junya Haider.

But no one is as smart and contrarian as Comme Wakubo Rei Garcons's Rei Kawakubo (Rei Kawakubo).

Watanabe's design work is a dazzling one.

Exhibition.

He used pants, folds, cuts and creases to create rich layers of skirts and jackets that stretched and shrunk like springs.

In his work, the ingenious 3D egg box pleat shows the full appearance of the clothes and does not make them look too soft.

Those black and white clothes are separated by purple and red. Of course, if these lines and angles are bent, they will become "beautiful".

On the contrary, they are equally colourful.

Watanabe created his unique lace pattern with interlocking circuit. It seems that in these circles, mathematical algorithm has failed.

The result is that these garments are delicate and complex like the most high-end luxury handmade embroidery.

Ekman can pfer emotions to clothing.

His fashion show is a visible poem, singing in low voice.

The young woman wore a black pleated skirt, and the skirt buckled down to the angle of the buttocks and down the ladder.

A tweed jacket hung on the back, as if the garment had been frozen in the middle.

On the spot, there are also wrinkled and compact Mini pleated skirts with black leather pants and low grade shorts.

Needless to say, Ekman also tells the story of the rebellion against asceticism: Women silently plan their own way with courage and independence.

If the definition of clothing is used

Wakubo Rei's clothes don't look like costumes, as measured by jeans.

Her costumes are protective, thought-provoking, beautiful and pformable.

And this autumn, they will touch you and me.

Her show begins with sad sound.

The first model appeared in a fluffy white ball costume.

If a woman can hide in a cumulus, it should be more or less like this model. She almost seems to be floating on the T stage.

Other models are almost buried in black lace bones.

One by one, a lady in black or white walked up to the stage.

The outline of their bodies is hidden in dome and cage shaped by strong lace.

It is impossible for people to judge whether these women are protected or imprisoned.

Maybe both.

As the models walked around T, they could hardly pass without collision.

So they will sideways, four eyes relative, and then move on silently.

As you can imagine, this is the interaction between angels and demons, the interaction between joy and sadness.

Those who have left and those left to grief have to mention terrorism, murder and death that have brought great changes to France and shocked the world.

The smell of sadness was concentrated in Wakubo Rei's design.

But it is still so beautiful.

The designer did not like to explain, but she talked through the speaker about her desire to explore how to make the pain of separation more beautiful.

Towards the end of the scene, models hide behind piles of black lace. They symbolize the burden of unbearable sadness.

People can clearly identify the children's clothing in design.

Here is a baby's brief memory of a baptism ceremony or the first birthday dress.

These simple and amazing lace and gauze paralyzed grief.

As the last model left the stage, the dazzling lights gradually dispersed.

The overpass has come to an end.

But good memories will be remembered.