Why Can'T Costume Design Of Ancient Costume Be Completely In Line With History?

Dong Baohou, director of the Art Department of the Provincial Museum, said that in ancient China, court life had always been the object of concern for artists, and court women's life was also one of the themes created by the painters of the past dynasties.

In this exhibition, apart from the pictures of the ladies and ladies, and the "spring tour of the lady of the country", they are related to the court life, as well as the scenes of Tang Xuanzong's Li Longji and the concubines riding on the ball. "The real imperial concubine" depicts the instant gesture of Yang's imperial concubine, and the "palace man adjusting the parting map" depicts the daily life of court women.

Others such as "tune the piano and sip the picture" and "Palace Dress map" also show the palace women's life.

Dong Baohou said that throughout ancient China, the aesthetic concept of women changed dramatically from Han to Tang to the Ming and Qing Dynasties.

The beauty of the Tang Dynasty is plump and beautiful. This is clear from the picture of the ladies in the flower shop, and the delicate and graceful style of the Qing Dynasty is also seen from the exhibits.

The formation and change of aesthetics is not the most concerned problem in the history of painting, but it can be clearly reflected through the paintings of the past dynasties.

In the interview, the reporter learned that in the development of the painting of the Qing Dynasty, two important painters, namely, Qi Qi and Fei Danxu, came into being. The two styles of painting had their own characteristics and came down in one continuous line. In the history of art, they often called "changing fees". Their style of painting influenced the style of the Qing Dynasty and the recent generation of ladies painting, and their works also became a valuable asset in the history of Chinese art.

In this exhibition, two people's works are exhibited, such as "Liu Yin Yi Yi Tu" and Fei Danxu's "Mei Mei Shi Mu Tu".

It can be based on classical painting.

The costume drama has been popular with audiences for many years, but almost every one.

The film and TV play is all over the world, and all kinds of "knowledge posts" that do not conform to historical facts will be crazy on the Internet. Among them, the costume design is the most intuitive and the target of public criticism. From the early movie hero to the TV play "Zhen biography", to the recent "Wu Mei Niang legend" and the "endless clothes" criticism, the hot topic of "Wu Mei Niang legend" has brought this topic to the top of the storm. The costumes of the imperial concubines and the maid of honor in the play, especially in the play of Fan Bingbing's Wu Mei Niang's entering the palace, are controversial.

Some experts believe that no matter what the story of ancient costume drama is, the audience is always contemporary. The costume design of art works must take into account the aesthetic habits of contemporary people and the visual beauty presented under the lens. The real style of ancient clothes is probably not good looking to today's audience.

Dong Baohou believes that many viewers ask for costume design to follow the history completely, which is impossible, but that does not mean that designers can design clothes randomly.

When designing clothes, designers must abide by the basic characteristics of every dynasty costume.

For example, the background of the TV play "Zhen biography" is set in the Qing Dynasty, so the clothing must be based on the flag.

Some experts call for costume drama.

It can be based on ancient classical paintings, which will avoid controversy.

For example, "the palace man tune the parrot map" is the Tang Dynasty's Ladies painting, which shows the life of noble women, as well as their looks, feelings, demeanor, clothing, etc., which can provide a basis for the production of film and television drama.