Silk Consumption Needs To Be Bridged.

In those years, a rare national treasure - Su yarn Zen coat was discovered in the excavation of the Han tomb in Mawangdui.

This dress is as thin as a cicada and weighs less than 50 grams.

A few days ago, experts revealed that in order to reproduce this treasure coat, not only did we find the silkworm eggs that used to make this garment -- the three sleeping silkworm, but also produced almost the same green feed as the Western Han Dynasty.

The whole process took 20 years, but the weight of the replica was 0.5 grams heavier than that of Mawangdui.

Faced with this classic which can not be copied

The cheongsam exhibition will be held at the annual Chinese model competition. Cheongsam has become a symbol of Chinese ancient culture.

The picture shows the silk cheongsam on the T stage.

Decline of silk should not continue

"The decline of silk is caused by the fault of silk consumption."

Hu Yue, Professor of China Clothing Institute, believes that if the fashion of silk consumption in the Republic of China can be extended to the present, silk development is by no means the present situation.

She mentioned the Qipao in particular, and thought that the consumption of silk cheongsam led to the development of the silk industry. After the founding of the people's Republic of China, all kinds of sports had stopped this fashion, and the phenomenon of silk consumption had broken down.

"A consumption, a culture, once broken down, it is difficult to pick up again.

Especially in the era of "fast culture", people have been unable to make room for the silk dress that needs special care.

Despite insisting on silk clothing, Hu Yue is still not optimistic about the future of the silk industry.

Some scholars believe that, as early as the late Qing Dynasty, Italy and France made silk.

The decline of silk is first reflected in the slow development of science and technology.

The ultralight mulberry silkworm produced in ancient China can not be duplicated in modern times.

It is said that Hermes, a French fashion brand, has learned that China has been able to produce lightweight gauze Zen clothes, and wants to find a Chinese company to jointly develop lightweight silk scarves.

Experts from the Nanjing brocade Research Institute, who have made great achievements in the field of reproduction, have also lamented that many ancient silk crafts did not find solutions after years of research. They showed heartfelt admiration for the wisdom and wisdom of the ancients.

After years of development, the problem of easy fading of silk has not been fundamentally solved, and the slow development of silk technology is evident.

The decline of silk is also reflected in the shrinkage of silk products.

In recent years, output of other silk products has shrunk to varying degrees except for the production of silk that can be produced simply.

Even a small amount of silk products will be reduced to "stalls" abroad.

Wang Zhuangmu, a silk old man, saw that silk had not received its due courtesy abroad. When he returned home, he cried out and hoped that the silk industry would make concerted efforts to rebuild her noble image.

Carry forward the silk culture

Many silk crafts have artistic characteristics, such as brocade and silk.

The large floral floor weaving machine of Yun Brocade occupies a large area and the weaving scene is magnificent.

The Da Hua Lou machine is divided into two layers, with two people sitting on top, two people sitting below, four people coordinating action, weaving beautiful patterns.

It is understood that most of the big flower houses are replicated by some specialized agencies according to the appearance of ancient looms.

And the brocade technology is usually used to replicate the ancient emperor's Dragon Robe. Because of its complex technology, the replica also has certain collection value and has been favorites by some collectors.

The machine of the silk is not big, but the process is very complicated.

The weaving skill of weft and weft insertion is a skill with ingenuity.

Reporters saw a lot of looms in Suzhou's "embroidered mother" Cao Mei's home.

She said that these looms were made by the husband of her craftsman, and there were few people who could make silk looms.

It is understood that in the past few years, the kimono kimono waistband has a wide market in Japan, and many of them will go to factories to produce and wear kimono waistbands.

When the kimono belt was sold well, some people were attracted to learn silk.

Otherwise, there will be fewer people who are proficient in silk technology today.

Cao Meijie told reporters.

Although the Japanese government has taken various measures to restore the kimono culture, the Japanese kimono culture is still showing signs of decline.

Although Japanese women now buy kimono, they are right.

At present, most of the products produced by silk are already works of art.

It is understood that there is a modern imitation of the silk Dragon Robe once auctioned off millions of yuan price.

Besides, some of the products of Suzhou embroidery and Qiang embroidery are also ornaments, and these decorations are also collected by others, which are passed on to the next generation, heading for collectibles.

Affected by the trend of the times and the economic environment, the silk industry has gradually developed to two directions: one is the direction of mass consumer goods represented by cocoon silk, the other is the direction of artwork represented by brocade and silk.

For the cocoon and silk industry with huge industrial foundation, "flying into the homes of ordinary people" is the only way to revitalize the industry.

The modern people reproduce the silk products that can not be copied, and reproduce those silk memories that can not be renewed. They want to tell you that the Chinese nation has a splendid silk culture, and we have the responsibility to carry forward those brilliant cultures.