Film And TV Dress Culture: "Ghost Of A Beautiful Woman" - The Demon Is Also Moving.

All things are sentient, and a kind of infatuation brings out all kinds of grace.

The sentimental demons and all kinds of insidious and ugly ways are often full of charming charm, they are charming or gentle or charming or sexy.

The ten thousand kinds of beauty are in the elegant and charming film and TV costumes.

Bitch

The title of the play: Ghost of a beautiful woman.

Dominating figure:

The TV version of the ghost of a beautiful woman is adapted from the novel Nie Xiao Qing in the novel "strange stories from a studio".

But the image of the protagonist Nie Xiaoqian is changed from a ghost to a fox.

Dress point: "Fox fairy dress" is Nie Xiaoqian's most representative costume.

The pale blue dress, the upper layer of laminated gauze and the slightly exposed design of the shoulders show off the beauty of the little fox.

A small fox as a hair ornament, "lying" on the black hair, fur pure as snow, long tail on the shoulder of Xiao Qian, ready to show.

Roe deer essence

Set name "Hua GuZi"

Main character: Hua GuZi

The TV play flower GuZi is adapted from the book "Hua Gu Zi" in "strange stories from a studio".

The protagonist is a son of a deer.

Dress point: the image of the middle opera is pretty cute and cute.

The image of Pu Songling in "Strange Tales from a strange studio" is more clearly visualized.

The clothes of the "Zi Zi Jing" are divided into three colors: pink, white and orange.

Different colors represent different aspects of character, such as mild, pure, beautiful and charming.

Pink butterfly, white feather hairpin and orange ribbon are the headwear that matches the two sets of clothes. It makes the image of the "Zi Zi Jing" more lovely and gentle.

Carp extract

The title of the play: "fish beauty of heaven and earth legend".

Main characters: Xiaolian

Xiaolian is a beautiful and capricious carp sperm.

She often becomes the image of a girl to play in the world.

Costumes: innumerable sequins

Jade rabbit essence

Drama Title: Journey to the West

The main character: Jade Rabbit essence

The jade rabbit essence, which has been cultivated for thousands of years, is unable to restrain loneliness.

Clothing: a beautiful Pavilion on the back of a white elephant, with a beautiful Tianzhu girl holding a bow and arrow, smiling at the crowd in the street.

She was dressed in blue.

I believe this beautiful flower princess is a fake. Her prototype is: "lacking the sharp teeth of the lips, whiskers with long ears, and a piece of Mao Ruyu in the body.

The straight nose is crispy, and the fruit cream is filled with powder; the double eyes are red, and the snow is covered with rouge.

In the earth, white is a piece of practice. Stretch out your waist, Bai Duoduo, a silver thread.

(journey to the west, Wu Chengen) when she was fighting with Sun Wukong, the weapon in her hand divulged her identity.

That "strong, a thin mouth like short stick" is the pounding stick of the Guang Han Palace.

At this point, the identity of jade rabbit essence is clear.

Weapons are also part of clothing accessories, playing a role in revealing identity.

Butterfly demon

The title of the play: biography of Shushan.

Main characters: Butterfly demon

The image of butterfly demon has magical fashion color.

Costume: Butterfly Hair and clothing are all red hot.

Bionic symbolism is used in style design.

The fabric with striped convex texture represents the thread of the butterfly's wings.

At the same time, the butterfly wings stitched on the back of the garment is also a design to enhance this effect.

The name of the play "spring bright pig"

Role Title: Little Dragon Girl

She is the Dragon Palace princess, the youngest daughter of the Dragon King of the West Sea.

Costumes: bright golden dress, embroidered with exquisite gold patterns, revealing the distinguished dignity of the wearer.

The little princess in the Dragon Palace will not believe that she is a dragon if she does not look at the dragon's horn on her forehead.

This is the princess dress of the Dragon Girl in the Dragon Palace, which shows gorgeous visual effects.

At the same time, in order to pursue the sparkling effect of the little dragon girl, the make-up artist sprinkled a lot of coarsely bright powder in order to create the effect of skin with water.

Conclusion: since the ancient times, the image of the goblin or the exaggeration of reality has come from the imagination.

Therefore, it is more difficult to verify the characteristics of the dress image.

But this fuzziness endows film and television creation with abundant expressive power, which is embodied in the bionic design of clothing, and brings infinite imagination to the viewer.

Perhaps it is love that gives the devil a moving place and arouses people's yearning for love.