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    Clothing Media: The Clothing Image From "The West"

    2010/6/1 16:19:00 91

    Clothes & Accessories

    Since we have reason to believe in legends, there is reason to believe in Chinese and western.

    Culture

    Communication has a long history, and there is more reason to believe that Chinese clothing culture is part of human communication earlier.

    In the Mu Yao Zi Zhuan, the role of costumes is to give gifts. Then, imagine what kind of appearance the silk production should be at that time. I think, first, it must have had a mature and stable aquaculture and production technology; secondly, the deeper meaning is that it will be able to embody the character and characteristics of a nation.


    It is not allowed to distinguish.

    silk

    It is a unique invention of the Chinese people and a great contribution to the world's material culture.

    The history of silkworm rearing in China can be traced back to the Neolithic age, accompanied by the moving legend of "the ancestor sericulture".

    According to legend, Emperor Huang's empress Dun Zu was attracted by a white woman dressed in a white dress when he was paying tribute to Kunlun in the four directions. The reason for this was that his elegant clothes were different.

    After questioning by the ancestors, I learned that there is a kind of animal that can feed on mulberry leaves and can spin silk in the distant "nausea field".

    So when she knew that the silk was soft and slender and knitted to cover the body against the cold, she began to teach the people to breed silkworms and make silk cocoons for clothes. It meant teaching people to rearing silkworms, reeling silk, making clothes and dressing up the world.



    Art passes



    People should be proud and proud.

    Because though the origin of silk is the same.


    The legend of "the ancestral sericulture" has been recorded, but through the archaeological excavation and scientific appraisal of later generations, we can see that during the primitive society, our ancestors had mastered the technology of raising silkworms and temples.

    In ancient times


    Two the jade silkworms in the fine arts products, "

    Silkworm

    The word "pictograph" and "half cocoon" are the best examples.

    It is estimated that from silk production to the rule of King Mu for more than ten thousand years, silk will surely become the top quality of communication. Perhaps this is the earliest.

    Clothes & Accessories

    Product output.

    So what kind of Western image does Mu Wang travel to us?



    The image of the queen mother of the West



    In fact, there is a long history of the image of the queen mother in ancient Chinese history.

    "The The Classic of the Great Wilderness and Xishan Sutra" said: "the West Queen Mother, it is like the man, the leopard tail, the tiger teeth and the good howling, the fluffy hair Dai Sheng, is the stern and five remnants."

    It seems that the Western Queen is the image of the female gods of 1.5 humans and half animals. It is also the product of the ancient ancestors' compound of the totem and the leader of the tribe.

    Some scholars believe that the queen mother of the west is an alien god, because "the queen mother of the west" is both a name and a place name, and its location is the westernmost sunset of the ancients.

    Other scholars believe that from the perspective of the development of human primitive civilization, the Western Queen Mother is actually a tribe with a white leopard as a totem in the west of the Chinese nation.

    In any case, the strange dress of the West Queen has made people feel something different.



    The queen of the West.

    Han Dynasty portrait map, Sichuan


     

      三(穆天子傳》中,西王母被描繪成一位半人半神的多情女子形象,這或許可以理解成服飾文化交流的結果,面對周穆王所展示的豐富的中原物質文化,又有誰不會為此折服呢?漢代是西王母形象出現最豐富與頻繁的時代,從近半個世紀的考古發現中可知,在河南、山東、陜西、四川、山西、浙江、江蘇、湖南等地,有大量以西王母為題材的漢代畫像石、畫像磚、銅器、壁畫、玉器、漆器等文物出土,西王母更是依據漢代特有的思想觀念、藝術品格被塑造成容顏絕世、情感豐富的仙界女神形象:展開的雙翼,流行的深衣,玉兔、蟾蜍、三足鳥(三種動物寓意不死之神仙)相伴,其神性與人性合二為一。

    From the process of Sinicization of the West Queen, we can truly feel the result of cultural interaction, that is, attaching the image of dress to the traditional mode of thinking in ancient China, with a continuous profit, become the symbol of people's eternal yearning for life.

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