The Female Protagonist Of The "System Destroyer" Little Girl, Bernie, The Way To Save Herself.

C-PTSD (post traumatic stress syndrome) Benny is a child who likes candy, wearing a rose coat and Butterfly Pink Unicorn children's socks. She is the only bright color in the cold winter crowd. But most of the time, she is more like a fighter, moving to a children's home and a hospital, struggling with a lonely life.

Benny is the heroine of the movie system destroyer. This is the debut of Nora Finsaid, a German female director, who won the main competition unit of the Berlin Film Festival this year. She won the Silver Bear Bauer Silver Award, nominated for the German Olympic bid, and will compete in the 2020 Oscar best foreign language film competition. At the seventh German Film Festival last week, the film was also held as an opening film to meet with the audience in Beijing.

Benny looked out of the window and was blocked by glass again and again. On the one hand, she reiterated her longing for the world beyond the "children's home" on the one hand; on the other hand, fence like sheltered window frames, such as cage constraints, were tightly enclosed in the pane. In the cold winter windows, dead wood branches are reflected on transparent glass, such as cracks in glass. At the same time, the contemporaries of instructors, doctors and children's homes also cast their eyes at Benny in different places through the windows. Despite their sympathy, they kept their distance and did not establish true empathy.

System destroyer. Data map

This kind of distance is not only cut through single lens, but also isolated by glass, which blocks the glass between Benny and the crowd. It not only ensures the personal safety of the viewer, but also serves as a visible medium to remind the audience of the gap between them. Such a slightly repressive lens language, such as the way of Benny in the car's rear view, is very restrained to compress the emotions that can pass through the characters' faces. The audience at the scene retire to the position of the audience. Always standing in an objective perspective, it also closes the empathy that the audience may get through the picture information.

Benny did not establish any solid relationship with the world: she was abandoned by her birth mother, rejected by more than thirty children's homes, isolated by her peers, and no part of the social network could be placed accurately and properly. "What do you want to be when you grow up?" "Instructor." "What do you want to be when you grow up?" "Toilet cleaner." Perhaps it is because she has seen only two occupations in her world: Children's home instructors and forest toilet cleaners. She refused to grow up, refused discipline, and was rejected by the adult world. The adoptive mother has a foster son, the birth mother has the second son, Mischa family is happy and happy, Benny is not the only person. Following the shaking of the hand-held photography, Bernie's restless emotions leap into the silver screen; the fixed screen routinely puts her on the opposite side of the crowd, appearing in isolated single lens.

The whole movie appeared in a few pairs of images: promise that Baini could return to the family's dinner, the double lens of her and her mother, and the back of the two people back home after Mischa found the missing Benny in the forest. This moving scene reminds us of the expression of the two people's initial understanding of the lens language. At that time, the mood was stiff. With the superposition and advancement of the emotion, the movement of the lens also turned into a transversal or zoom lens, which was more soft. When Mischa identified his family as a family, two people really constituted a solid double picture. At this point, at last, someone can share the same emotional space with Bernie. In addition, even with the mass picture of Qing Sheng, the director still chooses Benny and the group of guests who stand several meters away from each other to shoot the camera. Benny did not walk into the crowd to get a family happy harmonious picture.

The last frame of the film is no longer framing the window frames, but is running in the blue sky with unicorns running and leaping Baini. The figures and the broken safety glass overlapped together, and Bernie broke through the safety glass, like a wild animal being released and returned to the forest. The system destroyer leads audiences with Benny, a nine year old girl full of energy and energy, to embark on her difficult journey. What will Benny get from the end of the journey? Everything is left to the audience to judge for themselves.