New York Fashion Week Has A Strange Coincidence.

New York fashion week has a strange coincidence. The opening day is the day when most schools in this city begin school.

It is hard to ignore the fact that students return to the classroom and fashion returns to the showroom.

The start of this week's fashion week is like an ongoing teaching project: most of the courses are identical, but the curriculum is updated.

To put it plainly, it is a weekly spoon feeding.

Ingeniously

It is decided that the exhibition hall should be built into a practical classroom, or the concept of building a classroom: the classroom building skeleton and a row of old wooden desks, and notebooks on the desktop. It is best to teach Oriental semiotics or countless generations in uniform.

However, the lace stockings under the suit can not help wondering whether the professor has misread the timetable, which is quite disturbing.

Thom Browne will make the show into a classroom. Its work is like making repeated articles on the uniform.

The designer strictly chooses the constant (cloak coat and student Fan Er).

(button shirt and lattice skirt) and different series of variables (classic student cloth, from stylus to Oxford tweed, square plain cloth and wool material; classic Japanese decoration, including dragon, chrysanthemum and cranes), creating unprecedented complex formulas.

Wearing Oxford spinning, painting geisha makeup, wool and gauze to create a changeable grayscale; mink, Ma Haimao and synthetic rubber are cut into cherry shaped, fixed on tweed material; Shandong silk and Ma Haimao combine with the bubble yarn.

The bride, dressed in a pastel dyed lamb coat, appeared on the stage. She was wearing a multi-layered white linen dress and a shiny jacket.

All shows that the unity and uniformity of the formula also seem to be a problem.

This is a master talk about imagination and accuracy, a discussion about the value of independent research.

Not to mention the benefits of depth rather than breadth.

It is true that the connotation of fashion in general is largely lost. There is no tannin cloth, no knitted sweater, no sports leisure.

No

。

Is that not important? It doesn't matter at all.

Like most good masters, Browne is very sure about his calculations.

This is also the basic creed of Maria Cornejo.

The wide leg pants match the whisk and canvas, wrinkle skin no shoulder waist jacket, the same color half leather skirt, shoulder shoulder twill sweater, create a free flowing texture in material selection and modeling.

Large areas of blue, yellow, and gray tones present different levels on asymmetrical silk, and black and white stereoscopic squares are embedded in coats and skirts.

Rodarte presents the California mix and match wind, though it seems to have its inherent logic.

Glittering rock and roll pants suit, silver, blue or lavender Mongolia wool outside, multiple layers of lace or velvet lining, whirlpool made up of colored Gypsy dresses, irregular hem and inlaid pearl nightdress, silk waist high waist waist trousers and short body leather jacket.

All of these are meant to make everyday clothes, though it looks like a night of revelry.

It sounds quite elegant, but it's actually a little bit different, but it's different from Vera Wang's menswear deconstruction big law, sports underpants, Vegas pole dance dress.

Miss Wang's syllabus, sorry, is her show program, including the theme of "dangerous and ambiguous object" and "beauty of the day" (60s erotic film Belle de Jour).

On the T stage, however, all of this looks like high thermal pants and woolen coats with crystal bandages; flashing pparent shirts and sports underwear; dazzling gold sequins.

Apart from a few excellent cuts, the interdisciplinary experiment failed in general.