Shanghai Style Cheongsam And Yunnan Fashion Show'S Striking Collision Between Tradition And Fashion

The collision between fashion and tradition: "Shanghai style cheongsam and Yunnan costumes show" amazing Spring City

Mention China

The cheongsam is the first thing people think of. Cheongsam seems to have become a representative of Chinese women's national dress abroad.

It is the traditional costume of modern Chinese women, known as the quintessence of Chinese culture and the national costume of women, and the cheongsam of the Shanghai style is also the representative of all these cheongsam.

Yunnan, the most numerous ethnic group in China, is the largest number of ethnic minorities in China.

And the dress of the 25 ethnic minorities is an important part of Yunnan's national culture. When the Qipao of the Shanghai style meets Yunnan's national costume, what kind of spark will it collide with?

In August 22nd, "

The exhibition will be held at the Yunnan Provincial Museum. The exhibition will bring together 37 cheongsam and Shanghai cheongsam cheongsam in the late Qing Dynasty and the Republic of China, 62 pieces of national costume in Yunnan Museum, 36 contemporary exquisite cheongsam, including the famous designer Ling Yali, Xiao Fei and so on, which are provided by the Shanghai cheongsam senior custom center, Shanghai Zhuang Rong, Han Yi and other garment companies.

The creative cheongsam works are 5 pieces, 7 pieces of Yunnan national costume brand peacock nest boutique clothing.

According to Dai Zongpin, deputy director of the provincial museum's legal representative and presiding officer, this exhibition highlights the dialogue between mountains and sea, forming a collision between fashion and tradition, especially the integration of traditional ethnic culture and fashion in Yunnan, and making the ancient culture glow with the charm of fashion. Further excavation and refinement of the artistic value of Yunnan's traditional culture are the exploration and attempt of Yunnan Provincial Museum.

It is reported that this exhibition will last until October 18th. After the exhibition is over, the provincial museum will also collect a beautiful cheongsam made by Shanghai Zhuang Rong Garments Co., Ltd.

Background introduction

Clothing is beautiful -- the past and present of Shanghai style cheongsam

After the opening of Shanghai in modern times, Shanghai's social customs underwent profound changes.

The exotic customs from Europe and America have begun to affect the daily life of Shanghai people. Traditional customs and folk customs from all over the country with their regional characteristics have created the formation of modern urban lifestyle.

In terms of clothing,

The change and popularity is the most typical phenomenon.

Cheongsam is the image sign of modern urban women in Shanghai. It was born out of the robe of the flag girl. It was originally a daily service style created by the Manchu people. After the establishment of the Qing regime, the cheongsam was widely spread throughout the country.

From the end of the Qing Dynasty to the beginning of the Republic of China, the cheongsam style worn by the Manchu flag was still very conservative.

Starting from 1920s, cheongsam was popularized among women in Shanghai, but still maintained the characteristics of the robe of the flag girl. After 1930 and 1940s's continuous improvement, cheongsam extensively absorbed western style cutting characteristics on the traditional basis and became a combination of Chinese and Western cultures.

Its characteristics gradually began to stabilize, and gradually affected all parts of the country, and finally became a strong identification of women's clothing.

Cheongsam has undergone many changes. It not only completely broke away from the old fashions, but also changed the old habit of Chinese women's long arms and arms, showing the beauty of women's posture and curves. It not only reflected the prevailing social customs, but also set a mark for women's emancipation, becoming a spectacular scenery in the fashion field, forming a magnificent cheongsam culture.

In the 90s of last century, with the revival of cheongsam culture, the excellent production skills of the cheongsam in the past century, as a representative of Chinese traditional costume making techniques, has been included in the list of intangible cultural heritage projects in China, and has become a kind of protection and inheritance for cheongsam culture.

In order to inherit the Shanghai style culture and carry forward the Chinese traditional costumes, many contemporary clothing enterprises and designers adhere to the traditional Chinese style cheongsam production skills as the cornerstone, adhere to the traditional culture learning and the use of Chinese elements. At the same time, they continue to explore and innovate, absorb the chic tailoring of Western skills, and grasp the international fashion trends.

This exhibition highlights the collection of cheongsam, photos and cheongsam accessories.

It is hoped that this exhibition will enable viewers to enjoy the beauty of cheongsam while being able to understand the historical and cultural information and humanistic spirit behind them.

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Memory of flower and moon -- the past Spring Festival of national costume

National costume is the ideographic symbol of national culture, which incorporates its unique cultural connotations, displaying their respective cultural backgrounds, especially women's clothing.

In the long history, people of all nationalities in Yunnan created colorful culture, leaving behind a precious historical and cultural heritage.

Ethnic women make bright, colorful costumes with smart brains, dexterous fingers and keen sense of nature.

Yi, Bai, Dai, Hani, Miao, keno, Zhuang, ah Chang, Naxi, Lisu, Lahu, PU, ethnic, WA, Mongolian, Nu, Tibetan, Brown, Dang, Jingpo, Yao and Dulong ethnic groups.

The clothing of the 21 ethnic minorities is not only well made, but also has a complete historical and cultural form. Not only is the style varied, the color is colorful, but also the production process is quite different. It can be regarded as a treasure house of folk art.

After the exhibition, the Yunnan Provincial Museum will collect the beautiful cheongsam on the left, made by Shanghai Zhuang Rong Garments Co., Ltd. - the celadon is competing for it.

There are several "dance goddesses" by Yang Liping, which are provided by Yunnan's local costume brand peacock nest.

At the beginning of the Republic of China, people began to comprehend and appreciate "the beauty of curves", the integration of Chinese and Western cultures, and the traditional and traditional Chinese culture.

The confrontation brought an unprecedented new atmosphere to the costumes.

In 1930s, Qipao entered the heyday and became the most fashionable dress of Chinese women at that time.

The form of cheongsam was further influenced by the Western three-dimensional dress modeling, and began to pform into three-dimensional structure modeling.

The costumes of the 25 ethnic minorities are an important part of the national culture of Yunnan. Due to their different customs, characteristics of habitation and their geographical environment, ethnic minorities present colorful, decorative patterns and various styles. Their production processes vary greatly, and each has its own advantages, which can be called a treasure house of folk craft.