The Legend Of Wu Mei Niang Is Alleged To Be "Dressed In Disorder".

For many years, it has been widely welcomed by the audience. However, almost every piece of ancient costume and film and TV play is hot. All kinds of "knowledge posts" that criticize them for historical facts do not go up with the facts. They are crazy about the Internet. From the early movie hero to the TV drama The Legend of Zhen Huan, and then to the recent "Wu Mei Niang legend", the accusation of "wearing clothes" is endless.

Fully comply with historical design costumes:

Technically difficult to achieve, art is not necessary.

"The longer the film and television story takes place, the older the creator is. The closer the age is, the more faithful the history will be.

But after all, the film and TV play is an artistic creation rather than a documentary. It is not a textbook of clothing history. Clothing design is not necessary to fully follow the history. "

Xia Xiaochun, a teacher at Beijing Film Academy, who is engaged in film character design, said.

According to Xia Xiaochun, the clothing of the Han Dynasty is only visible from Mawangdui's silk paintings. The details of the original are difficult to understand. The designers must play their creative role in taking pictures of related subjects.

Wang Zhan, a teacher at Beijing Film Academy, said that it is impossible to fully follow the historical design of costume costume, and art is not necessary.

Wang Zhan said that no matter what the story of ancient costume drama is, the audience is always contemporary. The costume design of art works must consider the aesthetic habits of contemporary people.

The real style of ancient clothes is probably not good looking for today's audience.

However, this does not mean that designers can design clothes randomly.

Chen Tongxun, a well-known fashion designer, designed the costumes of Mei Lanfang and The Legend of Zhen Huan.

He said, "we are designing.

The basic characteristics of every dynasty dress must be observed.

As for details, designers have great room to play.

Clothing generally incorporates historical elements:

The most important thing is to highlight the style of the work and shape the characters.

Fang Sizhe, a young fashion designer, is one of the fashion designers of the TV drama Wu Mei Niang's legend.

"I am not confined to the limitations of the Tang Dynasty, but the concept of applying ancient costumes.

If Wu Mei Niang ascends the base, this set of clothes embroiders extremely many, the pattern is complex, the collar's style is the Western-style, the goal is lets Wu Zetian's image and the vigor be prominent.

If the design is entirely in the Tang style, the audience will feel that the queen is not strong.

Besides shaping characters, the costumes of film and TV drama should be unified with the style and aesthetic pursuit of the whole work.

Xia Xiaochun said: "generally speaking, the realistic works are realistic in clothing, while the joking and freehand brushwork works more creatively in clothing."

Xia Xiaochun said that "hero" is highly freehand in style, emphasizing the big scenes, so its clothing is pursuing modern sense. The story of Qin song has a great relationship with folk history. Its folk custom characteristics are prominent, its clothing color is rich and varied, and the "Jing Ke assassinate Qin" highlights the epic feeling, its clothing is more realistic and evaded various.

In search of a solemn and simple history.

The aesthetic pursuit of works and the need to shape characters are far more directly and forcefully influencing the creation of costume designers than in accordance with history.

As a responsible fashion designer, the important question is not whether it is consistent with the history, but rather a cultural responsibility to face the present.

I will not participate in the creation of works with biased cultural positions.

I think this is more important than clothing is fully consistent with history. "

Chen Tongxun said.