Let National Handicraft Flowers And Embroidery Embroidered With Extraordinary Flowers.

< p > the cultural elements of Manchu costumes and embroidery are not only a historical record of life, but also a reality of today's life.

Therefore, in the new era, its protection, inheritance and development are of far-reaching significance.

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< p > < strong > artistic flower in Panjin < /strong > /p >

< p > Manchu is one of the most influential minority nationalities in our city.

Manchu folk costume and embroidery were once dominant in this area. It can be said that they are closely related to people's life and are the most influential traditional culture in this area.

Recently, with the Panjin municipal intangible cultural heritage list, the Manchu Folk Dress Embroidery exhibition is displayed to the public free of charge. The ancient and traditional a href= "http://www.91se91.com/news/index_c.asp" > folk art < /a > wonderful works, combined with modern civilization, has not only regained fresh life, but also aroused widespread concern from all walks of life.

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< p > Zhang Ying, intangible cultural heritage Manchu costumes and inheritors of Manchu embroidery, master of Arts and crafts in Liaoning province.

On the ancestral home is the blue flag of Manchu. In those days, in the city of Shenyang, the emperor's Dragon boots and dragon robes, the imperial concubine's Phoenix crown, the ministers' gowns and the jade belt, the gowns of the actors, many of them came from the hands of her ancestors.

Zhang Ying loved Manchu embroidery art from childhood, and studied rust techniques with his elders in his childhood.

On the basis of inheritance, adults have developed and formed their own unique artistic style.

Many of its products have won international awards and have been appreciated and collected by relevant institutions and individuals both at home and abroad.

In recent years, in order to make her full of embroidery, she has also set up embroidery workshop to teach free embroidery.

So far, more than 580 students have been trained, 12 have been trained for students, and 13 have been trained.

Zhang Ying's masterpiece technology has been widely recognized: in November 2011, the "dragon year calendar" was selected by the Ministry of foreign affairs as a gift this year.

In January 2013, CCTV's "art life" column group interviewed and reported Zhang Ying.

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< p > Zhang Ying in the process of embroidering the silk thread, she used the needle to write the pen, replaced the ink with thread, and passed through the ages with her ancestral skills.

Her works such as costume design, small stage screen, cloth bag, folk auspicious design, < a href= "http://www.91se91.com/news/index_c.asp" > pattern < /a > have been well received by the public and satisfy the needs of the masses.

Taking wetland culture as its content, she positioned the embroidery workshop on Panjin's characteristics, embroidered Panjin's scenic spot: "the red beach of the world's wonders"; rare: "black Headed Gull" and "Red Crowned Crane" series, etc., let people appreciate and learn traditional art while arousing the consciousness of loving nature, loving hometown, loving the environment and protecting birds.

It also effectively publicized the regional culture of Panjin, and set up a bridge for communication between China and Panjin, and contributed to the prosperity and development of Panjin and Liaoning's cultural industry.

Her portrait of embroidery, Diana, was presented to the British friends by the provincial and municipal leaders; the apricot flower hut, the Facebook, and the riverside map of Qingming were sent to Turkey as friends of the state; on the World Expo of Shanghai, she made the 100% silk embroidered long scroll "wetland capital Panjin", which was collected by the China Academy of Arts and crafts and issued a collection certificate; in August 2011, Zhang Ying became the ambassador of the Sino Austrian Cultural Exchange, and the representative works received gold, silver and special prizes, and the Australian president of Australia issued certificates for her.

She is the first person in the world to embroider the black Headed Gull with traditional techniques, and is also the first person to bring the black Headed Gull embroidery to the international fair and win the international prize.

She was named "Liaoning folk artist" by the Liaoning Federation of literary and art circles.

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< p > < strong > from generation to generation to now < /strong > /p >

< p > Manchu dress and < a href= "http://www.91se91.com/news/index_c.asp" > embroidery > /a > has a long history, and has its own development and change rules and track, which is handed down by the elders of family.

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< p > flowers, plumes and embroidered clothes, and send spring water and autumn hills.

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< p > the jade waist jade is still in the past, and the dress system of the nzhen is not deleted.

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< p > the Qing Dynasty poet Shen Zhao's folk poetry of Manchu costume is only four sentences. It not only depicts the fishing and hunting characteristics of Manchu costumes profoundly and vividly, but also points out the origin of Manchu costumes.

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Before P, twentieth Century, Manchu costumes not only prevailed in this nation, but also spread throughout the Han and Mongolian brotherhood.

The Manchu clothing is novel and varied, especially in robes, gowns, shoes and hats and hairstyles.

The dress of Manchu not only affected the costumes of the entire Chinese nation in the Qing Dynasty, but also laid the foundation for the modernization of Chinese clothing.

For example, the "Zhongshan Costume", which is popular in modern life, is improved by the mandarin jacket. The Ma Jia's shoulder is still a popular dress in Chinese society nowadays.

Cheongsam, especially the cheongsam, is popular nowadays. It has been popular at home and abroad and enjoys a high reputation in the world apparel industry.

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< p > Manchu embroidery has a history of nearly 600 years. In the middle of Ming Dynasty, Manchu changed to farming life, and leather embroidery was replaced by textile embroidery.

In the Qing Dynasty, Manchu embroidery was flourishing. Whether it was the nobility or the common people, the shadow of full embroidery could be seen on clothing and daily utensils.

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< p > full embroidery is a successful combination of folk embroidery and < a href= "http://www.91se91.com/news/index_c.asp" > palace embroidery < /a >. It gradually moves from the lowest level of the public to the highest level of the palace. It not only maintains the rough mania of folk embroidery in Northeast China, but also draws on the graceful aspects of Jiangnan embroidery skills such as Suzhou embroidery and Xiang embroidery. On the basis of this, a large number of stitches have been created, which are good at flowers, birds, insects, fish, birds and beasts, as well as landscapes, depicting characters, forming a rich and rough artistic style containing delicate skills.

The color is dignified and gorgeous, and the contrast is strong.

In embroidery techniques, it mainly uses flat embroidery, striped embroidery, spot embroidery, plate embroidery and embroidery embroidery. Its main works include pillow top, purse, curtain, curtain, apron and so on.

Manchu embroidery, as a prominent carrier of Northeast regional culture, is still popular and concerned today.

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< p > < strong > protection and inheritance is a long way to go. < /strong > /p >

< p > Manchu costumes and embroidery contain very rich national characteristics and cultural connotations. They are "living fossils" which study national culture and customs.

The protection, inheritance and development of Manchu costumes and embroidery can enrich the theories of folk arts, folklore and craft anthropology. It is of great significance for protecting the diversity and creativity of human spirit and culture, and promoting the healthy development of human culture.

To learn manual embroidery can also help people to keep their mind, to make people more careful, not to be arrogant and impetuosity, but also to be able to relax and entertain. It can help people improve their spiritual accomplishment and quality, and is conducive to the construction of a harmonious society.

However, with the change of the times, the aesthetic demand of modern consciousness has gradually weakened the traditional concept of folklore in the hearts of people, and the younger generation has less and less attention and learning of traditional crafts.

If we do not inherit and develop in time, ginkgo trees and precious Manchu costumes and embroidery will be gradually forgotten. Therefore, protecting and inheriting national culture is a long way to go.

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< p > 2008, Manchu embroidery was selected as the second batch of "national intangible cultural heritage" list published by the State Council.

In order to expand the influence of Manchu costumes and make the Manchu costumes not lost in national nature, Zhang Ying, with the support of relevant municipal departments, is declaring the national intangible cultural heritage with embroidered embroidery with "a href=" http://www.91se91.com/news/index_c.asp "Manchu characteristic culture < /a >.

So as to arouse people's national memory and raise their awareness and respect for its important significance.

The exploration and utilization of the value of Manchu costumes and embroidery still needs more attention from all walks of life.

In order not to let national culture be forgotten as time goes by.

We appeal to more people to pay attention to Manchu costumes and embroidery. Of course, we should learn not only the amazing technology but also the positive optimism of the ancestors, the love of life and the pursuit of beautiful things.

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< p > the eighteen major reports of the party put forward: we must promote the prosperity and development of the cultural industry.

With the popularity of the cultural front, the Mass Art Museum of Panjin has carried out a series of effective protective measures for Manchu costumes and embroidery.

As a responsible company, Sheng Huang brocade Limited has joined hands with Zhang Ying with a high sense of mission and urgency to jointly launch the burden of protection, inheritance and development. Relying on Manchu costumes and embroidery, we are exploring the bright future of national culture.

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