Interpretation Of The Beautiful World Of Miao Women
< p > Internet search "world Datong". Baidu encyclopedia shows the following information: when the age of information and economy is integrated, global Datong is generally feasible to follow the following steps: knowledge sharing, network Datong, communication Datong, language similarities, cultural similarities, economic similarities, political similarities, military similarities, legal similarities, and comprehensive Datong.
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< p > it sounds all kinds of good, showing the ultimate blueprint of human society.
But idealists still can not change their bad habits which are always entangled: "Great Harmony" is naturally coveted, and the great differences that are bound to be lost in the process of Great Harmony seem more desirable.
Just like our attitude towards those distinctive national cultures, the more we gradually fade away, the more we remember.
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< p > in China, Guizhou province is less than a href= "http://www.91se91.com/news/index_p.asp" > Miao nationality < /a > the most populous province.
Most of the Miao people, especially the Miao rural areas around the city, have already been living in Chinese style. Young people wear the same fashions in the world to get out of the mountains. They become the people who assimilate the trend of this generation, leaving behind very few national elements.
The backpackers of civilized society come to Miao Township with a mindset of seeing flowers. They see almost the same thing as their own. They see their scenery almost the same as their own houses. They are used to complaining in their mouths. In fact, they do not understand the truth: you live in a reinforced concrete house and enjoy a toilet. Why should anyone insist on climbing up and down the pot every morning from the creaking floor? /p
It is still far away from P to achieve "Great Harmony". It is only minute to lose "big difference".
The new world of wind, fire and fire always sticks to the biggest obstacle of tradition. People are gradually getting used to greater conveniences in simpler ways, and the traditional customs that require a lot of patience to maintain them have to decline.
Fortunately, there is a more accommodative plan in all things.
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< p > Miao people's proverb says: "no silver, no flowers, no girls."
Just like Han people like to buy land, Mongolians like to buy cattle and sheep. Whenever they have a little money, Miao people are bound to buy clothes and flowers -- < a href= "http://www.91se91.com/news/index_f.asp > embroidery > /a >, and silver ornaments with luxurious publicity.
Even for today's Miao girls, you can go anywhere, you can marry all kinds of men, but without a decent and Miao traditional dress, the wedding is still unthinkable.
Or: it is almost impossible to get married. The dress of Miao girl is the most outstanding "difference" accumulated by the nation for thousands of years.
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< p > < strong > the traditional Miao family wears on the body of the house < /strong > < /p >.
< p > if they have words, the long history can be turned into a stirring epic.
But now they are painted in totem, worn on their bodies, and worn on their heads.
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< p > in Southwest China, the mountain is thin and remote. It is contrasted with simple and bitter life. The Miao people living in it have a luxurious "dress" custom.
They use self spinning hemp as the bottom, plus silk and bleached green laterite wool line, spend dozens of complex processes, weave exquisite clothes, with luxurious and complicated silver ornaments, just wait for the festival to come, perfect appearance.
When we mention the various characteristics and connotations of Miao costumes, what we focus on is the Miao costumes.
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< p > every festival means a dress parade. In some places, festivals are called "bright homes", which means that all the property saved by frugal savings has become clothes and wear.
The girls took advantage of this opportunity to carefully compare each person's dress, which girl embroidered best, and which girl had the most silver ornaments, and the winning girl not only laughed at herself, but also felt that her mother would feel full of face.
Of course, this kind of family interaction featuring interaction and complementarity has also become the driving force to promote the continuous improvement of Miao nationality's costumes.
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< p > < strong > a href= "http://www.91se91.com/news/index_f.asp" > totem < /a >: tribal emblem < /strong > /p >
< p > Miao people do not have their own words, and most of history and culture are presented by oral literature and totem art.
Totem art is mainly embodied in the Miao's textile patterns.
When Miao nationality grandchildren were carrying out historical and cultural education for Miao people, they pointed to the design of their clothes.
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< p > today, scholars generally believe that the ancestors of the Miao nationality experienced several large-scale migrations from the plain water villages in the east to the southwest hinterland dominated by highlands and mountains.
Today, among the fifty-six nationalities in China, Miao nationality is unique in terms of cultural diversity, multilevel and diversity.
A toddling scattered around the country, the totem embroidered on clothing is like a unique symbol, which develops different branches from the unified roots and becomes the emblem of identifying ethnic groups and tribes.
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< p > silver, flowers, totem embroidered clothes.
Keep this "different" and be good at it.
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< p > the Miao nationality's narrative costumes have been flourishing for thousands of years, and even keep pace with the times and become richer.
They include remembering ancestors' creation patterns, sacrificial designs, and war migration patterns that record the tragic history of their ancestors.
In the Miao costumes of Qiandongnan, the theme patterns such as "butterfly mother", "Jiang Yang Sun Yue", "heaven and earth" and "the Yellow River" are widely used, showing the development track of Miao tribe history.
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< p > < strong > textile and embroidery: the value system related to women < /strong > /p >
< p > the earth house is low, the hostess sits in front of the loom, for the weft line, the cotton is the warp line, and the shuttle runs around the shuttle; men collect corn on the ground; the old people bask in the yard; the girls sit at the door and fly around the needle -- this is the most common living scene of an ordinary Miao village more than ten years ago.
Here, the gorgeous dress of a woman is woven out of one weft through one latitude and one stitch.
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