Qipao Culture -- The Origin And Making Process Of Cheongsam

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< p > < strong > Qipao culture < /strong > /p >

< p > < strong > Qipao origin < /strong > < /p >.

The P revolution abolished the monarchy and founded the Republic of China.

At the beginning of the Republic of China, the braided hair was cut and braid was sent to the Museum of history.

In the early 20s, there was a fashionable new dress in urban women.

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< p > < strong > golden age < /strong > < /p >

< p > 1920s to 40s is the most glorious period of Chinese cheongsam.

Especially in 30s, cheongsam laid an irreplaceable position on the stage of women's wear, becoming a typical representative of Chinese women's clothing, and basically completed the process of going to the classics of Qipao culture. 40s is the continuation of its golden age in time.

After the evolution of the first half of the twentieth Century, the basic characteristics and elements of cheongsam gradually stabilized.

Cheongsam becomes a classic dress.

Classics are relatively stable while fashion is changing.

But fashion "a href=" http://www.91se91.com/ "target=" _blank "designer" /a "often finds inspiration from the classic treasure house. Cheongsam is also a source of inspiration for designers.

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< p > < strong > wind appearance reappearance < /strong > < /p >

Cheongsam once had a brilliant moment when p < strong > /strong > 1950s.

In the era when the people were masters of the country, the leading role of "a href=" http://www.91se91.com/ "target=" _blank > clothing > /a "has turned to civilians.

From 1966 to 1976, the Chinese traditional culture suffered great losses and the cheongsam culture was left behind.

At the beginning of the 1980s, the cheongsam culture, which had been neglected for thirty years, appeared somewhat outdated.

In recent ten years, the cheongsam newly appeared in the kapok road brand fashion has appeared frequently in the international fashion dances, and it has been more attractive than ever before. It has been used as a formal dress with national significance and has appeared in various international social etiquette occasions.

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< p > < strong > manufacturing process < /strong > < /p >

< p > 1, cutting: < /p >

< p > determine the positive and negative sides of the fabric -- fold the front of the "a href=" http://www.91se91.com/news/index_f.asp > the material > /a >, draw the pink line on the reverse side, and light colored material do not use the dark colored powder; < /p >

< p > 2. Determine the broken line of the garment material. Because there are no seams in the center of the cheongsam before and after, so the material can be folded on the side and folded enough to make the body fat.

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< p > 3, determine the direction of the fabric pattern, so that the pattern direction of the garment piece, sleeve piece and collar piece is consistent; < /p >

< p > when cutting velvet fabric, make sure that the plush of each garment piece is reversed to avoid color difference; < /p >

< p > when cutting, add appropriate stitch and welt to the outline.

If the ordinary zipper is sewn, the mouth must be 1.5cm, the invisible zipper, the mouth need 1cm, the edge of the edge and the edge of the inserting edge are also different.

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< p > check the quantity and quality of fabric cutting and lining material.

Such as a right bottom (positive and negative). < /p >

< p > two, sewing: < /p >

< p > > the garment piece is /p.

< p > 2. The side seam sticker is < /p >.

< p > 3. The side band sticker is < /p >.

< p > < sewing > /p >

< p > the characteristics of the ancient cheongsam: fine handwork, suitable for embroidery, inserting, embedding, rolling and so on. The modern cheongsam is characterized by its simple and elegant line structure instead of fine handwork.

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< p > three, cutting matters needing attention: < /p >

< p > cutting is the most important part in the whole process of making garments.

It can also be said that it is the basis and premise for the a href= "http://www.91se91.com/news/index_f.asp" > dress < /a > the cheongsam clipping map and the cheongsam decomposition map (5 sheets).

Therefore, when cutting, it is necessary to cut the cutting pieces of each component accurately.

Besides the exact size, the cutting method must be appropriate.

In this regard, we should explore and summarize in practice in order to achieve better results.

Here are the following points: < /p >

< p > (1) check the size and pattern before cutting, pay attention to the record of other body characteristics and other requirements.

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< p > (two) check whether there are oil stains, water stains, < a > yarn > /a > color depth, and so on.

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< p > (three) general clothing materials are distinguished from each other and should be carefully distinguished.

When cutting, draw the powder and draw it on the reverse side of the material.

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< p > (four) some clothing materials, such as cashmere and corduroy, have the characteristics of hairs and hairs. When cutting, the direction must be aligned and not reversed, otherwise there will be different faults.

For patterned fabrics, pay attention to the difference between patterns.

Lattice fabric, we should pay attention to grid relative, symmetrical.

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< p > (five) cutting the main parts and cutting the accessories after cutting.

Cut the front and rear slices in order, then cut the big sleeves, the small sleeves and the collar face, and finally cut the parts.

But when painting, the parts must be taken care of so as not to avoid enough material.

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< p > (six) when cutting, draw lines must be horizontal and vertical. Pay attention to the direction of warp and weft (vertical and horizontal). Do not use vertically, horizontally or horizontally. The general fabric is made of warp (longitudinal yarns), and the collar is < a > weft < /a >.

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