Yve Saint Laurent's Mousika, Loulou De La Falaise

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< p > in the history of brand development of < a href= "www.91se91.com/pioneer/" > Yve Saint Laurent < /a >, there are two people who can not be forgotten. They are the two sides standing by Yve Saint Laurent: "Yve" and " For an imaginative "a href=" sjfzxm.com/DESIGN/designer/index.asp "designer" /a, outstanding models will be the soul of their design. This picture will also become a stilt picture running through the history of Yve Saint Laurent fashion development. < /p >
< p > Loulou de la Falaise was born in Paris, France, in 1948. His father is a French writer and translator, Alain de la Falaise. It is worth mentioning that her mother, Maxime de la Falaise, is not only the Queen's most famous female designer, Elsa Schiaparelli's model in Paris in 30s, but also the most famous fashion icon of that era. She is praised as "the only fashionable British woman in the same generation". < /p >
< p > Lulu Delafaris (Loulou de la Falaise) grew up in the world of high fashion since her childhood. After a brief marriage, she moved to Paris to become a friend and creative partner of Yves Saint Laurent. < /p >
< p > Loulou de la Falaise has always been the inspiration of Mousika, the designer of the Yves Saint Laurent. The legendary classic of YSL Le Smoking smoking < a href= "www.91se91.com" > women's dress black dress and perspective dress revolution < /a >, the inspiration comes from Loulou de la Falaise. < /p >
< p > Loulou is the daughter of Maxime de la Falaise. After that, she is a fashion person. In those days, she would wear a little princess who played society. She had very good personal connections with Kenzo and Halston. Loulou can be described as IT GIRL of that era, but she is down to earth and works every day. Unlike Saint Laurent, she goes to the fashion house every day to report. She can give her the best 30 years of her life to YSL. < /p >
< p > generally speaking, Betty represents the neutral and slender side of Saint Laurent fashion, while Loulou brings color, exotic customs, imagination and drama. But I think these two qualities are Saint Laurent itself. Betty and Loulou are the projection of the two ideal female images in the mind of Saint Laurent. On them, Saint Laurent sees clearly the ownership of his own fashion. He can confidently use the outline of wide shoulders and waist, or give play to his instinct in using colors. < /p >