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    T Stage Show, SIMONGAO Autumn Winter Clothing Series

    2012/6/11 11:24:00 14

    SIMONGAOClothingBrand


    SIMONGAO released 2012 autumn and winter series

    clothing

    New products


    SIMONGAO 2012 autumn winter clothing series integrates the irregular accumulation of floating iceberg in mysterious nature and the fall or recovery of life signs represented by feathers, and extracts a three-dimensional blocky sense of entirety.

    For wool and

    Cashmere

    The application of materials adds to the interpretation of "movement" by designers.



    SIMONGAO releases 2012 autumn and winter clothing series


    Deep meditation is the practice. In the design of this season, the vitality and the static of the vitality in the natural stage are hidden in the fabric of the structure behind the work, thus presenting an irregular lump sense of stitching.

    Brand designer Gao Yang (SIMON GAO) has been committed to the art of dress rather than simple clothes.

    Commercialization

    Hard reading.


     


    SIMONGAO releases 2012 autumn and winter clothing series


    In the three years before the autumn and winter series was released, Gao Yang, the designer, brought the fabric and innovation into the design through the assurance of different materials.

    "The use of cotton material in this design can reflect the combination of nature and real life pragmatism from one side, and with the feather and wool splicing, it gives me more confidence in the design and application of cotton material."


     


    SIMONGAO releases 2012 autumn and winter clothing series


    When Gao Yang talked about the design highlights, he said, "in addition, I will redesign a work on display with Microsoft WINDOWS PHONE, weaving irregular block geometry through the combination of bright and dark lines."

    This WINDOWS PHONE element is the modern design language named "Metro". It takes the content as the center and abandons the form, which embodies the Zen spirit of simplification, movement and tranquility.

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