2012 Autumn And Winter Fabric &Nbsp; Small Printing Beam.

Autumn and winter of 2012 in New York

Small print

"Usually, as designers, we like to use stamp, pattern and color to add vitality to autumn."

This is what designer Rachel Comey told us before her 2012 autumn show.

At the same time, she said, "this time, I try to replace all these commonly used design elements in order to bring different autumn scent to this show."

Many designers, like Comey, try to use printed fabrics in the embellishment position, but they can achieve a distinctive style.

This season, exaggerated printing is no longer the absolute leading role of Comey's entire show, but it also embodies its existence everywhere.

Comey shifted her focus to fabric selection. She went to professional fabric factories to pick out unusual fabrics.

Among the fabrics she selected, perforated cotton fabric and laser textured wool brought a sense of lightness to this season's coats and tights. At the same time, a sexy wide hem skirt was filled with shiny plastic textured fabrics, which added a Comey style oddball just right.

A small amount of printing and color -- like the use of orange on the color choice of a tweed coat, and a little pink peach in a ritual skirt, all of which give the whole show a visual impact.

The Steven Alan's autumn men's and women's series focus on the old cut and grey and dark brown tones, and show the aesthetics of the 30s of last century in a concise way.

These clothes used a variety of interesting production techniques, such as twill cotton washed fabrics and light coloured crotch pants.

Elsewhere, Alan has also made a brilliant improvement in the style of the wardrobe, such as the selection of leather as the main fabric of a Navy wind belt jacket.

At the same time, the women's wear series has adopted the concept of men's wear series.

Many men's fabrics are reused here, especially herringbone fancy tweed.

And the maiden style of the product is like the wrinkle skirt and the attractive long skirt.

In addition, the metal brocade provides a good contrast for the low-key atmosphere.

In the Theyskens' Theory fashion show, designer Theyskens used the printing under the inspiration of the crystal.

In a sense, it makes the blinking blouse and the comfortable front zippered metallic flower jacket look dull.

Last February, Theyskens's Corduroy flared trousers on the stage had become a fashion.

This year, the designer's new idea is trousers pleat. He applied it to jean shorts and black print pants and stuffed them into loose boots.

Multi level printing is ingenious.

Some people use the printed fabric to embellish, some people will print the fabric throughout the show.

Whether it's a dress, a pair of trousers or a dress, the printed fabric can explain different styles of color to people through two different forms of complexity and minimalism.

Marc Jacobs has always been the best performer in New York fashion week. In this year's fashion show, the woolen shawl is a woolen coat, followed by a collage art dress, and finally a bottoming irregular tailored trousers.

The color layout is as diverse as maps, and the prints are across the huge, complex, gorgeous woolen weave and pencil graffiti, and all hand made applique overflowed with all kinds of dress skirts.

It is a good party look; Boy and Girl Band of Oursiders, the designer Scott Sternberg showed us the southwest style in this conference, including the water drop print long skirt and the white conjoined dress with the little butterfly as the ornament; it is memorable with the small and thick knitting knitted fabric with colorful knitted POMs and printed brocade patterns; at the present conference, he continued his weird and gorgeous dark line style. The black and blue abstract lines and the soft and beautiful silk fabrics blend together, which made the original elegant silk dress have some meaning. Suno, which is famous for its printing, is the two classic design of this season. It is a suit of flower pattern jacket with loose and long trousers, while the golden wave coat is matched with the children's print skirt.

It's especially memorable. Thakoon Panichgul's original camel coat, which used purple leopard print in the season, and the simple conjoined dress can see the designer's ingenuity in the shape of the sleeves and the smart feather patterns; the main librarian of Derek Lam in this season is equipped with a sports short skirt suit with a warm kitchen print, and a bright red print dress with a collar; Rag and Bone "s design group David David" and "Jen" will be applied to different levels of printing, arrows, diamonds, and the ironing pattern carpet printing, plus the India style skirt, with trousers as a collocation, rich but not messy. In the Jenny Packham show, the gold and black are decorated with Beaded decorative slanting dresses and printed silk with flowers.

Editor's note: remember that a designer said a few years ago that fabrics will tend to be lighter in the next few years. Looking back to last October's Shanghai fabric exhibition, many exhibitors' products have blurred the boundaries of autumn winter, spring and summer. With the coming of the 2012 autumn and winter fashion week, they will gradually get rid of the autumn and winter fashions with deep tonal and heavy sense. Once again, they will move towards elegance and light.

All signs indicate that although autumn and winter still have their own characteristics in spring and summer, the seasonal differentiation of textile fabrics is gradually decreasing, which provides different research and development directions for different fabric suppliers.