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Paris Fashion Week 2011/2012 Autumn Winter Series: Memories And Pformation

2011/12/17 13:05:00 25

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Memory and pformation

Yves Saint Laurent 60s-70s

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Daily wear

After the golden glow, the exaggeration ratio is everywhere, which makes design director Stefano Pilati (StefanoPilati) in the first place and shows why.

Paris

The show in the advanced clothing schedule is one in a hundred.

This impeccable series is full of subtle references to the style of the 60s and 70s of the last century, and timely memories of the history of the fashion house are accompanied by Eve Szentloran's review exhibition held at the Paris palace in the same period.

Appearance: 60s and 70s.

Outline: neat and elegant, charming and subtle.

Evening dress

Fluent.

Main styles: neat and elegant coat and suit with feminine feeling of teenager temperament, which is in harmony with the mood of men / women this season.

The cape coat and quadrangle fabric jacket, knee skirt and short cigarette cut trousers, high collar Satin loose shirt and black and white block are the themes of the continuation, together with the hottest dress of the season, low waist change, and the Wells Prince skirt with lacquer corset and cobalt blue tie.

The evening dress is a pure, well-dressed white trousers suit that provides a masculine tendency for the evening wear, with a balance of a slightly overhanging corset dress, a pparent sling neckline, a smooth loose trousers and a pparent sling coat, some floating hair and a shiny silk crepe, which are the pure DNA of the fashion house.

Color: black, white and gray tones are highlighted with purple and cobalt blue.

Fabric and knitting: the series is positive for the importance of the next quarter, because Pilati understands and reconstructs the classic Welsh Wang Zige and dog's teeth. This theme presents many changes, which are balanced with moist appearance, crystal lacquer, cashmere, chiffon, silk crepe, stork hair, mink and fox fur.

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Details and decoration: Fur decoration, color block, chain decoration, bead chain.

Shoes: Knee Boots, fringed heels, high-heeled ankle boots, and matching thick ankle shoes with evening wear.

Accessories: three chain belt, chain necklace, white belt, hand grab bag, black or white short gloves.

Life of Balmain Ziggy

David Bowie (David Bowie) has become a catalyst for the inspiration of digital designers, because they continued to gain something in the rich treasure of the 70s of last century.

Christoph Decarnin (ChristopheDecarnin) turned this trend into capital, replacing the punk bad girl of last season with a classic theme named David ZiggyStardust, created by David Bowie in the early 70s.

To a large extent, there is something flashy and Stardust like, but somehow the series failed to bring Decarnin's design spark into practice.

Appearance: ZiggyStardust's life profile: narrow and short cut.

Main style: Di canning strictly limits the series to some key styles, and reinterprets them with many sparkling crystals, mirror embroidery and a large number of metallic colors.

The key trousers are narrow legs and short cuts to the knees, with gentle flashes and deep trouser heels, exactly like the trousers worn by women in the British wind and moon field in early 70s.

These trousers complement the sleek sports jacket, tights or loose Bib dress shirts. They are made of all kinds of gold and silver brocade with low gloss.

The core of the underwear, which provides a core stack, is black or crystal sparkling and lightning like lighting. These annotations for the appearance of Ziggy may be a bit too superficial.

This season's dress has a loose outline, and the change of the four sides has provided an opportunity for deep discussion to penetrate the entire series of overly modified mirror embroidery.

Color: black and white as the core, with golden silver and the ice blue of the galaxy as emphasis.

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Fabric and knitting: the emphasis is on gloss and brightness, compared with metallic leather, gold and silver brocade, satin, Lex knitting and furry fur.

Prints and patterns: flashing and shining with crystal and gold and silver brocade.

Details and decoration: decorative crystal and mirror embroidery, fringe of fringe.

Shoes: Knee High bandage boots.

Chloe aesthetic negation

After CELINE (Chloe) formed its concise business card, Hannah McKibben (Hannah Mac Gibbon) broke the self confirmation aesthetic with the new series.

The series is a bold move to adopt snake skin and venture into new areas of color.

The color was heavy, and the snake skin was abused. Her success in 70s marked the end of all the madness.

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Appearance: leisure 70s style.

Profile: soft and relaxed.

Main styles: the series is full of Hannah McKibben's main styles for CELINE, including the long sleeved 70s style mid length dress, lotus collar shirt, shawl and Cape, and the shape of trousers in 70s.

In addition, there are several sports overalls including suede and suede and leather.

More successful is the big color sweater, clean silk shirt, Jean's high Joe trousers and classic windbreaker. It is also worth noting that trousers with vertical inserts, though perhaps similar to the two quarter master designed by Phebe Philo, former designer of croye, for CELINE.

Color: the symbol of neutral color: putty gray, beige and dark brown, and rich brown and reddish brown.

New colors: red, yellow and blue, and emerald ornaments.

Woven and knitted: snake skin, soft leather, warm suede, superfine chiffon, satin, woollen felt, medium coarse needle rib knitted fabric.

Prints and patterns: snakeskin on chiffon and satin, Paisley vortex on yellow bottom.

Details and decoration: color block, snake skin striped mosaic, leather whip pin, lotus leaf collar, long leather rope side decoration.

Shoes: high-profile wedge and slippers, thick snake skin Pan Puxie, shoes with riveted rough heel sandals, ribbons and butterfly lacquered t-shoes.

Accessories: Brown Leather buckets, some pockets with coloured pockets, suede knapsack with lockstitch stitches, snake skin print narrow scarves and leather scarves.

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