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    Paris Fashion Week 2011/2012 Autumn Winter Series: An Era Of Innovation

    2011/12/17 11:15:00 28

    Paris Fashion Week

    Jean Paul Gaultier grandmother

    fashion


    Comb a beehive hairstyle and swing in a sexy pencil skirt, at Jean Paul Gore (JeanPaulGaultier)

    Show ground

    The models may be the epitome of fashion in the 60s of the last century, but Gore Jie will not do anything with a straight face.

    The more than 40 year old French comedian, Val e rieLemercier, opened the show with a strip comedy, followed by young models who wore gray hair, dresses and checked clothes. They dragged their trolleys. In a word, this is the grandmothers fashion of Gore.


      


     

     


    Appearance: 60s fashion with grandmother style changing.


    Profile: masculine tailoring and sexy hourglass modeling.


    The main style: each appearance is a manifestation. The models take off their coats and take off gloves and scarves in a striptease form, but in essence these appearances are built on the repetition of some core styles: masculine legged trousers, soft bow tie collar, pencil skirts with hip buttocks and occasional pleated skirts.

    The wrapped skirt is stacked outside the dress or trousers, and the coat also achieves this effect. The contrasting button creates the vision of the short jacket and skirt combination, such as rubber windbreaker and lacquer skirt, alpaca coat and brown leather skirt.

    Other outfit options include cotton padded silk and fluffy coat, leather fur skirt with strap, and some elegant double row clasp regular dress for evening wear, overflowing with a smooth tubular oversized tights.


      


     

     


    Colors: black, dark grey, brown and classic camel, navy blue and red latticed, and sparkling bronze.


    Fabric and knitting: variegated tweed, herringbone, red tartan, printed silk, very bright lacquer, bright llox knitwear, fine stripe western material, metallic and colorful jacquard fabric, cotton wool wax silk, suede, adhesive rubber striped printing, fox skin, chipmunk skin,

    Mink


    Prints and patterns: white stripes, black and red stripes, round dots, geometric designs in 60s, wallpaper style printing, new art flowers, and relief gem printing.

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    Details and decorations: leather collar and trimming, fox or mink strap decoration, black cowl cloak and fur coat collar.


    Accessories: extra long scarves and shawls, silk tassel silk handkerchiefs, color glasses gradual sunglasses, chain eyeglasses optical glasses, leather gloves, earrings; hand shopping trolley.


    Loewe luxury leather


    After the summer kitsch candy color entered the autumn and winter, designer Stuart Vives introduced his weird twists into the classic Loewe style in a very subtle way. StuartVevers

    Yes, there are bright colors everywhere, but there are luxurious fur and sheepskin mixed together. The antelope skin is surprisingly a set of back inserts, a series of bonded leather dresses, and the tops are reversed.


    Vives said: "the coat is our important expression. We strive to promote leather technology, such as bonding, to create a more sculptural profile.

    Color is always important, brown things feel just right, fashionable colors on bags.


      


     

     


    Appearance: ingenious and deformed luxury.


    Profile: A font in the 60s of last century.


    Main styles: jacket as the core power of this season, choose a A zigzag coat with a tight waistband, a double breasted pea short coat on the wrist, a sheepskin pilot jacket, a large size coat with hemispherical shoulders and a fluffy fur vest.

    The highlights of other leather clothing include button skirts and tie shirts, low waist dress and pleated skirts, short sleeved Tights - one with a corset waist, and a black Ruby decoration, a weird shirt and a buttoned dress.

    There are singleton silk dresses, such as Peterpan's shirts, high waist Scotland pleated skirt, elastic knitted bottompants and a cylindrical skirt for stacking garments.

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    Color: dark shade based on the Brown Foundation of Roy's logo: hazel, caramel, chocolate, chestnut and black, which match red and turquoise, marigold and olive green.


    Fabric and knitting: marked soft sheep leather, including new adhesive leather, ostrich skin, goat skin, suede leather, shears, fox fur, calf skin and antelope wool; silk, glued cashmere and elastic knitted fabric.


    Prints and patterns: the black and white pattern of the double faced pattern, and the pixel enhanced repetition of the inspiration of the church painted glass rose window, all appear on silk.


    Details and decorations: structural stitches, fox collar and sleeves, children's plastic round buttons, backtight belts, black gemstones, leather straps on short skirts of Scotland style skirts, buckles, tie ties, pleats, antelope leather sheathing on the back of the coat, and double band collar buttons on the pilot jacket.


      


     

     


    Shoes: shoes are inspired by men's Oxford shoes, flip hair shoes and leather stray shoes, which are shown as crus boots and high heel short ankle boots, with tasseled toes and heels.


    Accessories: luggage inspired bags, Gladstone style travelling bags like goat skins, small hard boxes with gold rivets on the front facing.

    Other packages are small, made up of bright fashion colors, filled with soft leather and gold lock.

    Knitted long gloves and Resin Bracelet without fingers.

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    Costume National Modernism


    Some adjustments have been made. EnnioCapasa, the modern tone, first put forward the discussion of returning winter to spring, and still used the same simple lines and strong pure colors, though this time the black figure was used as a compromise.

    The flow and softness of the last season were also replaced by three heavy wool crepe and hot adhesive fabric, which gave a new sense of clothing structure.


    Capasa said: "I am trying to describe today's modernism. I started in 60s, this is a very innovative era, with the aesthetic of this era, and then combined with high-tech materials to develop into a new fashion."


      


     

     


    Appearance: modern minimalism.


    Outline: straight line away from the body.


    Main style: the inspiration of 60s led to several straight line sleeveless dresses, or round Lapel with neck cut off, or stacked on polo collar sportswear and tops, while trousers were super close fitting cigarette pants or straight pants and short pants.

    The slim leg type is offset by the top coat, such as the waist tunic, the high and low hem side hat hat windshield jacket, or a plain cocoon type elastic jacket like wool crepe T-shirt.

    The picturesque minimalist line is covered with coats and elegant clothing, such as a coat with a folded face collar, a double breasted coat with a contrasting lapel, and a light blue pants suit with a dark zipper and a collar.

    Coming back from the spring and summer series, the oversized oversize dress comes in the form of the front door and the exaggerated ribbon.


      


     

     


    Colors: black and ivory, and light blue, light yellow and scarlet.


    Fabric and knitting: wool crepe, sometimes three heavy adhesive layer; silk, viscose, nylon, warm camel's hair and leather.


    Prints and patterns: no prints, but Mondrian style patterns are created with colorful blocks, colorful edges and exaggerated grids.

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    Details and decorations: Leather decorations, such as welt pockets, lacquer belt decoration, silk inserts, revealing three layers of fabric burrs, folding and stacked collar, removable large hooks on clothing, flapped layups on the dress, concealed coat buttons, industrial zippers, figure edge (black coloured), frosted or matte ceramic square sequins, back round lapel collar, and color blocks.


    Shoes: sharp toe wedge and ankle boots, some with ankle strap; geometric cut high heel sandals.


    Accessories: colored leather or black calf briefcase handbag, evening dress bag, leather gloves.

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