Evolution And Characteristics Of Tibetan Ethnic Customs And Costumes
The clothing of any ethnic group can be studied as an aesthetic issue. The aesthetic features of Tibetan costumes are more obvious.
The beauty and the beauty of clothes are closely related to national customs. Costumes are people's costumes and dress, leaving the body's posture and activities, and the artistic beauty of clothing can hardly be reflected. The style and size of clothing are related to their posture and customs. In this limited space, it is impossible to talk about the various aspects of Tibetan costumes aesthetics. After we put forward the aesthetic principles of Tibetan costumes, we will focus on the aesthetic characteristics of Tibetan costumes, that is, the characteristics of the plastic arts embodied in them.
The study of Tibetan costume has wide practical significance. With the development of Tibetan economy and culture, the study of Tibetan costumes is undoubtedly beneficial to the development of national industry, handicraft industry and tourism, and is beneficial to the prosperity of cultural life. In accordance with the spirit of inheriting, studying and giving full play to the excellent cultural heritage of the Tibetan, we have collected and collated the art of the Tibetan costume. Due to the limitation of information and editing level, the experts and leaders of the famous party should not hesitate to make corrections.
The origin of Tibetan clothing is a product of history. A nation is often formed by the integration of many tribes or nationalities in ancient times. The Tibetan was formed in the long period of contact, differentiation and integration with some Tibet tribes in the northwest and southwest China around sixth Century. The basic features of Tibetan clothing now exist before Tibetan people form a united nation. The basic structure of Tibetan clothing is fat waist, long sleeves and big buttons. The leather robes, the gowns of the pastoral areas, the official robes of the past and the nobility of the gowns all have such characteristics; the "Tong Tong" (men's short clothes) of Lhasa and Zhongdian have such characteristics. As for the "ancient Xiu" (sleeveless robe) in the industrial area, its basic structure is also closely related to the robe style of the fat belly and the big cap. The basic characteristics of Tibetan clothing structure determine its series of additional costumes. It is not convenient to walk in a straight gown, and the belt is indispensable. The girdle belt is also the main clothing for attaching accessories. All kinds of exquisite "eat poor" (waist knife) and other ornaments are tied on the belt. When did the Tibetan clothing with such characteristics come into being? People tried to explore its origin from the frescoes of Tibet. Although Tibet's existing frescoes are filled with the above features, the earliest frescoes are only one thousand years old, and most of them have been repainted for generations.
The characters we have seen directly depicting the costumes of the ancestors of the Qiang people in the Tibetan area are images of bronze objects unearthed from the tombs of the Warring States period to the Qin Dynasty in Jinning. There are nearly three hundred figures in the bronze ware on the stone hill, with different costumes. Among them, some of them are braids. Their clothing features are: men and women are all braided with double braids, all dressed in gowns or fur capes and bare arms or arms, with hair ornaments on their heads.
Tibetan costumes have unique national and artistic characteristics. They are a valuable component of the treasure house of China's national cultural heritage. They should be given enough attention and seriously studied in order to inherit it and develop it to make it more magnificent in people's lives.
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