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    The Scene Of Embroidery In Suzhou &Nbsp; Suzhou Embroidery Has Its Own Afterlife.

    2011/11/1 16:26:00 45

    Suzhou Embroidery Is FlourishingSuzhou Embroidery Later.

    Suzhou embroidery, known as one of the four famous embroideries in China, originated in Wuxian, Suzhou, and has a history of more than 2000 years.

    According to relevant

    historical data

    Records show that since the Song Dynasty, Suzhou embroidery technology has been very prosperous, and the technology is becoming more and more mature.

    Rural "silkworm, household embroidery", see Suzhou

    Embroidery

    The scene of prosperity.

    Now, is Suzhou Suzhou embroidery still flourishing? How is its successor so far? With these doubts, the reporter recently came to a street of Suzhou embroidery, known as "Embroidery City", which is known as "Embroidery City" and Suzhou Town Lake embroidery street.

    Suzhou embroidery

    Savor the skills of Suzhou embroidery.


      



     


    At the street corner, the reporter met Zhang Liangsheng, deputy secretary of the Town Lake District Party committee. He told reporters that the two Suzhou embroidery works, Fuchun mountain and the Century Peace - pigeon map, which were produced by the master of the lake embroidery master Yao Jianping, were listed on the Tianjin cultural exchange in October 17th.

    He said that this is the first non listed product of the Tianjin literary exchange, which has pioneered the entry of China's non heritage products into the financial market.


    It is understood that in early August of this year, "Fuchun mountain map" and "Century Peace - 100 pigeons" two works were approved by the Tianjin Cultural Exchange listing and examination committee, and 33 million copies and 26 million copies were successfully sold in September 26th.

    Due to the low success rate (about 11%), 1 yuan and one share were issued at the end of 1.15 yuan, and the total price of two works was up to 67 million 850 thousand yuan. This is the highest paction volume ever reached by Suzhou embroidery.

    Among them, Yao Jianping himself retained the total share of the total sale of 15.6%; the sale agent first subscribed 5.2%; the remaining 79.2% share to investors.

    In addition, the Suzhou high tech Zone Zhen Hu embroidery association has signed a strategic cooperation agreement with the Tianjin cultural exchange, and the two sides will establish long-term strategic cooperative relations.


    Liang Xuefang, a senior art artist receiving reporters, is a visiting scholar at Tsinghua University. Her works have won international and domestic awards many times, and now he is the artistic director of Suzhou Zhen Hu embroidery factory.

    We were invited to visit her studio.

    She told reporters that at present, there are more than 8000 embroidered girls in the town of Suzhou. There are hundreds of embroidery houses or workshops throughout the embroidery hall.

    In her studio, the reporter met Liang Xuefang's mother, a 85 year old old man who is still doing embroidery.

    The old man said he felt uncomfortable all day without embroidering needles. He had to embroider a few stitches before he could eat and sleep.

    After that, the old man took the presbyopic glasses, sat in front of the embroidery stage, picked up embroidery needles, and began to embroider an unfinished work.


    Liang Xuefang, deputy director of the Institute of fiber art, Academy of Fine Arts, Tsinghua University, founded the embroidery and embroidery center in 2009 with Tsinghua Academy of fine arts, and established a training base for embroidery art with Suzhou Academy of Fine Arts.

    Over the years, she has been committed to inheriting and developing traditional embroidery techniques and stitches, and constantly summarizing and innovating the essence of Suzhou embroidery techniques.

    In the aspect of carrying forward the essence of Suzhou embroidery art, she has made bold innovations in the needles of Suzhou embroidery needles, such as pressing, removing and storing needles, and added dozens of new needles. The outline of Suzhou embroidery needles is characterized by "flat, fine, smooth and smooth" 8 words, and the style of "soft, divine, expensive and colorful" of Su embroidery is respected.


    Chen Yinghua, a senior craftsman artist, is another Suzhou embroidery successor.

    She loved the embroidery art of her hometown at her childhood and was guided by the master of embroidery.

    Over the past 20 years, she has created a large number of Suzhou embroidery art treasures.

    Among them, the reproduction of Qianlong garden in the Imperial Palace, the 260 pieces of embroidery, windows, doors, fans and double sides, became the peak of her career.

    Chen Yinghua is good at portraiture portraits of embroidery, embroidery and other techniques in Suzhou embroidery. We see in her studio that ancient ancient teachers and contemporary great men are the objects of her creation.

    The portrait of Singapore's former prime minister was collected by the Singapore Museum and Bao Gong was collected by the Bao Gong shrine in Hefei.

    The most amazing thing is the "Inner Mongolia Pearl Museum Dragon Robe" collected by the Museum of Inner Mongolia in 2008. The work is made of 40 thousand fresh rice beads, which are smaller than the rice grain. It takes 6 months.

    In the Ming Huang silk Suzhou satin fabric, it uses five colored silk thread and rice pearls to show the dragon's flying posture. Its realistic artistic effect is really breathtaking.

    It is said that the work is worth about 600 thousand yuan.


    As a landmark of Suzhou embroidery, a street of Suzhou town embroidery embroidery hall has played a positive role in the establishment of embroidery art market, carrying out the promotion of embroidery culture industry, and played a good role in the development of quality and high-end development of Zhen Hu embroidery.

    該鎮(zhèn)街道黨工委書(shū)記虞美華對(duì)蘇州高新區(qū)鎮(zhèn)湖刺繡產(chǎn)業(yè)近期要做的幾件事做了闡述,她說(shuō),下一步我們將緊緊抓住鎮(zhèn)湖刺繡發(fā)售上市的良好契機(jī),圍繞刺繡產(chǎn)業(yè)的整體發(fā)展,重點(diǎn)做好以下幾項(xiàng)工作:一是計(jì)劃在11月初舉辦第四屆中國(guó)刺繡文化藝術(shù)節(jié)暨第八屆蘇州市民間藝術(shù)節(jié);二是籌備成立鎮(zhèn)湖蘇繡發(fā)展研究中心,召開(kāi)“錦繡鎮(zhèn)湖”——蘇繡文化高峰論壇;三是進(jìn)一步推動(dòng)鎮(zhèn)湖刺繡作品科技創(chuàng)新,努力加強(qiáng)版權(quán)交易平臺(tái)建設(shè)和刺繡作品版權(quán)保護(hù),并爭(zhēng)取上級(jí)質(zhì)監(jiān)部門(mén)盡快通過(guò)刺繡質(zhì)量標(biāo)準(zhǔn)審核并出臺(tái);四是通過(guò)校地合作等方式,建立工藝美術(shù)教育及行業(yè)培訓(xùn)體系,扶持培養(yǎng)一批科班繡娘人才,并利用刺繡藝術(shù)節(jié)契機(jī),舉辦江蘇省藝博杯“新人新秀”大賽,為廣大鎮(zhèn)湖繡娘提供施展繡技的舞臺(tái),鼓勵(lì)年輕繡娘人才脫穎而出。

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