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    2012 Holiday Printing Complex Series

    2011/6/25 11:11:00 115

    Printing Complex Vacation

    2012 holiday series two


    Baenciaga umbrella skirt


      


     

     


    Nicholas Gerskie's design director Nicolas (Ghesqui re re) launched the holiday series, first showing the designer's thin cut treatment, which means that pants are clear and the girls walk into the storm circle with legs and legs. Since then, although giskie has been more interested in playing the role of his predecessor's Cristobal works, that is, the sense of volume, seen in the tropical print skirt with a lower hem below his knees, it comes from its 2011/2012 autumn winter series released in Paris. {page_break}


      


     

     


    For holiday series, designers use a solid A shaped umbrella skirt. Dress Some of them are stretched like umbrellas. Shirt resembles a reversed triangle with short sleeves hidden in the shoulders. If this outline is less provocative, Gass Ki E completely conquered us with prints and fabrics. In many styles, a herringbone pattern and brick printing can be traced back to the 60s Cristobal show in the last century. In a slim cocoon shape. Loose coat The combination of neon, pink and Brown has the most impact. More importantly, giskey did not disappoint his pants lovers. The coolest appearance in the series is that they have exquisite silver India embroidered trousers on their forelegs and match them with the blouse sleeves of the blouse. {page_break}


      


     

     


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    Marc Jacobs printing wallpaper


      


     

     


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    Following the last wave of polka dots, Mark Jacob (Marc Jacobs) spread his ideas to the 2012 holiday series. His design was inspired by wallpaper printing in the 60s of last century. The fabric was treated by the sun and drifting method, which made it look like it was peeled off from the wall of the post-war living room.


    Not in the holiday series. Pencil skirt The designer came to a 180 degree turn, converting the precision and rigour of autumn and winter series to comfortable, washed and faded products with a youthful feel. {page_break}


      


     

     


    The lively and positive nature of this series is the sudden change brought by Jacob. In fact, this is a general direction of most holiday series. He is not the only designer who seems to be sculpting for the sun. In order to get the worn and faded appearance of clothing, Jacob and his design team used wallpaper prints and Daisy patterns on the back of the fabric. To strive for an unfettered sense of vitality, they focus on the outlines of T-shirts and sweatshirts, and laser engraving or sequins decoration on metallic leather to make them luxurious. Similarly, the super crystal is dotted around the collar and buttons. Natural gemstone buttons are decorated on the front of the vest skirt and accessories. The sandals are decorated with buttons. Many of them look particularly interesting. {page_break}


      


     

     


    Thakoon City Gypsies


      


     

     


    The design formula of Thakoon presents a little bit of urban and a little sense of country. Far away from the countryside, designer Saco Panicgul (Thakoon Panichgul) has been pulling away from a wide range of traditions in recent seasons to maximize the combination of ethnic costumes and street sports elements. In the autumn and winter series, his Rococo Marseilles warrior formed a research case. This time he continued this direction, dragged the gypsy costume and national costume as a holiday series, but at the same time did not lose his fashionable sense of city. When it comes to design inspiration, the designer says, "I don't want to be a literate gypsy. I want to do something that is a little sport and more New York feel. " {page_break}


      


     

     


    The national pattern is displayed on a small quantity of cotton bib and the embroidered skirt. A summer white dress has a red berry print, echoing the embroidery on the matching sports jacket. The blended cotton dress is light feathers, and uses blended fabrics and rich color patches to skillfully emphasize the curves of garments.


      


     

     


    Panek Gul also played with rose prints, a logo that has been used since he first worked with Laurie Simons in 2009 spring. Black and white flowers are specially treated as an overly tense metaphor. The designers embody them in overly decorated trousers and waist coats, and they are embroidered in the Japanese dress. {page_break}



     
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