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Madrid Fashion Week 2011/2012 Autumn And Winter: Color And Composition

2011/6/21 13:15:00 214

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Colors Of Fashion Week Autumn And Winter

Madrid Fashion Week 2011/2012 autumn winter series three

Color and composition

Devota & Lomba Constructivism

Spanish fashion

Designer

Modesto Lomba (Modesto Lomba), chairman of the Association (ACME), returns to another way in her typical style.

His style is constructivist and presented in mathematical proportion plus concise choice of color.

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The colors range from dark green to beige, with occasional purple.

Material Science

Do the old iconic texture and create a sense of industrial finishing. These fabrics are light but wrapped around the body.

Clothing has a smooth appearance, emphasized through decoration, and shows its angular side in almost fierce way. This is the seam of clothing, actually it exists in a hidden way.

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Ana Locking color geometry

There are three main sources of inspiration for the latest series of Anna Lorin Ana Locking.

One side

Designer

Color block design is adopted, including red, camel, mustard yellow, nude, turquoise, blue, gray and black, and the two or three color combinations of the dress and skirt are divided into geometric blocks, especially triangles.

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The first part of the series has the most sense of structure, which is a continuation of a core 80s style T shape. It reminds people of Eve Szentloran's 2009/2010 autumn and winter series.

The models painted heavy make-up, black eyes and lip gloss, echoing the tailoring elements of architecture and deconstruction.

In the third part of the evening dress, the side Pleated Dress is like the ancient Rome and the Greek wide robe.

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Agatha Ruizde La Prada color pictures

The famous fashion designer Agatha Delaplada (Agatha Ruizde La Prada) returned to its iconic style in the 2011/2012 autumn and winter series, and everything was left in color, color or color.

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The series shows different outline types, from super large to loose and smooth, or mini and square, and the choice of dress styles from bell bottoms to swaying half length skirts.

Just like splashing some color on the white canvas, the designer paints with his typical bright colors and heart-shaped clothes.

The fabric is also a typical Agatha style, thick, rich and winding texture.

All fabrics are swayed between wool and flannel, and geometric fur is particularly prominent.

Glimmering is another feature of the series. The sequins depict the designers' self portrait. Light perception comes from stripes, tapestry and even LED lights on tights and Bottomwear.

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