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    Check The Classic Fashion Of Classic Movies.

    2011/6/9 10:38:00 74

    Movie Fashion Cheongsam




    Back window

    Grace is stunning the back window.


    In the movie "back window", Grace deducted the inspiration from Dior master "NewLook". Clothes & Accessories Such as wide shoulders, small waist and small coat. Big umbrella skirt The big shoulders, big V, long print big umbrella skirt, mint green three sleeve sleeve dress, no exaggeration and no noise, is still a symbol of the upper class celebrities in the 50s. Elegant and beautiful Grace Kelly presented the most gorgeous costumes in this classic Hitchcock movie. 6 of the costumes were from the Hollywood's top designer, Edith Head, in which the first set of black front and back V collar tights and white tresses were introduced. Yarn skirt The most eye-catching, Edith Head, inspired by the then Dior New Look, created a contemporary New York white collar woman wearing the most gorgeous fashions of the season and coming out of all kinds of places, beautiful and fashionable. The fashionable dress she wears is an eternal classic.


      


     

     


    "The mood for love"


    Cheongsam in the romantic mood


    The most popular movie in the mood for love is the most classic combination of women and cheongsam: compared to Tony Leung's only 3 suits in the play, Maggie Cheung's 26 cheongsam is indeed a garden full of spring scenery. The tailoring of the cheongsam's fine fit makes Maggie Cheung's symmetrical figure look more exquisite, and walks along the road. In particular, Wong Kar Wai used the slow motion lens from her back to show the unique beauty of women. Every time they appear, they are four. Su Lizhen, a cold fragrant woman, was wrapped up in 26 cheongsam with flowers and flowers from the beginning to the end, but she did not know that she was wearing naked secrets and affectionate feelings. Zhang played an old bitterness young woman in Shanghai. The cheongsam in a woman like Maggie Cheung suddenly appears to have life and soul. {page_break}


    Cheongsam is a nobleman in clothing. Elegant, ingenious, sexy and charming, it outlines the style of women. Fabric and cutting technology is very important, but to show cheongsam's value, the most important thing is the inner power of the wearer. Cheongsam is not only dignified and introverted, but also full of seduction.


    As for the description of cheongsam, Wang Bendao, a essayist, said it was very well placed. The charm of cheongsam is displayed in introverted, implicit and gentle: the small collar is surrounded by the delicate neck; the smooth lines of the convex and concave shape are close to the tall and straight body; the split hem is fluttering with light steps, and it is everywhere refined, elegant, gentle and elegant. Cheongsam appears to be dense, wrapped in what should be wrapped, but it is also the sexiest and inadvertently shows all the things that can be displayed. Dragonfly shaped dense buttons like a small lock, hiding several restricted areas of the body, as if solemnly tell the opposite sex: here is not allowed to explore, but it clearly shows its unique charm. Because of the unique beauty of cheongsam, women with different ages and different images can enjoy their own advantages and complement each other.


      


     

     


    Dragon and Phoenix match


    Hepburn and Givenchy's Dragon and Phoenix match


    Givenchy once said, "Hepburn has an incomparable ability in costume matching, which is innate ability. I can't resist her beauty. Givenchy is well versed in the purity and elegance of Hepburn and has become the image designer of her life. Their friendship starts from the dragon and Phoenix match.


    In the dragon and Phoenix match, Audrey plays the role of Sabrina, which is exceptionally beautiful. The elegant long flowered skirt worn by Hepburn is the classic of Givenchy. A layer of cicada gauze runs down from the waist, embroidered with the eighteenth Century style flower ornaments embroidered on the tops, skirts and skirts. The worn part of the skirt forms an elliptical figure, with the black edge of the cicada gauze, the silk lining, the waist being fastened by the eyedlace, and the beautiful and pure temperament of Hepburn in this evening dress, it appears more and more refined, and all the women present are eclipsed. This evening dress also became one of the most important costumes in Hollywood history.


    What makes the millions of female fans ecstasy is another Givenchy production in the movie: a black cocktail dress with two small butterflies on the shoulder strap, beautiful and classic. With the appearance of Hepburn, the dress immediately became the new favorite of women, so that it was repeatedly copied and imitated in the following decades. From the top brand to the popular brand, it can be seen everywhere.


      


     

     


    Gone with the wind


    Elegant "gone with the wind" set off retro wind


    The movie gone with the wind is undoubtedly one of Hollywood's most proudest open spaces. In 1940, gone with the wind took away 8 Oscar little gold men, including the best actress and best costume.


    In turbulent times, the appearance of characters seems to mean very much. "Beautiful woman" is a different scenery in troubled times. The "beautiful woman" in troubled times is different from ordinary people's life trajectory. Scarlett's clothes are her amulets and the red carpet of the film. Changing clothes reflect the impermanence of life and reflect the changing world. The designer endowed Scarlett with endless changes in shape, and endowed her with endless changes of feelings and artistic tension. No matter what the audience thinks of Scarlett, the shape she constantly changes is loaded with heavy history and confused heart in the eternal frame, echoing with the years in the world.


    American women set off the trend of retro fashion. The nostalgic, classic, elegant fluffy wave skirt is popular throughout the United States, just like the beautiful and charming Scarlett in the movie, the long skirt is fluttering, graceful and romantic, the American female craze plays the classical lady in the south in the nineteenth Century. And this nostalgia and classic antique dress, once gone from gone with the wind, will once again sweep across the world every once in a while. Every once in a while, rebellious girls and wild girls will suddenly disappear, and all of them will return to romantic elegance and gentleness, and let the world be quiet and gentle.

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