The Cultural Connotation Of Chinese Charm -- Why Is The Chinese Dress Confused By Cannes?

In May, Cannes was bathed in soft sea breeze.

The sixty-fourth session

Chinese movie stars

Fan Bingbing, who has a Dragon Robe, blue and white porcelain and a crane installed in the international fashion arena, is the best way to pick up Chinese elements on the international stage.

Compared to last year's Dragon Robe, Fan Ye crane's Chinese red is indeed used better, not only eye-catching, but also smooth and restrained.

I appreciate Fan Bingbing's domineering attitude and appreciate her saying "I am a rich man" during her visit.

But at the Cannes Film Festival, Fan Bingbing, as a Chinese movie star and Chinese fashion symbol, how to disseminate the national fashion spirit represented by his clothing image is an important connotations of a cultural envoy.

It is reported that crane is a long-lived mascot in Chinese culture. No matter whether Fan Bingbing uses this dress to convey the blessing of world peace or his ambition to stand tall and upright, it is beyond reproach.

But in French culture, cranes are regarded as evil birds. They are also symbols of stupidity and sensuality. The information of the dress of crane culture, which is read by the French people in Cannes, may be unhealthy.

The core of the Cannes Film Festival is to carry out cultural exchanges among outstanding countries. The box office revenue of Chinese films has reached tens of billions of yuan. However, the fast development of Chinese films has never been the main competition unit in the three major European film festivals such as Cannes. The Chinese film is now playing Karate in Cannes, which has greatly disappointed the international film community.

Fan Bingbing, as a representative of the Chinese film industry, appeared with many stars in choosing a small dress that is easy to communicate with emotion. The difference is that the typical queen style dress style in Europe has been used. Although it seems that the popularity of celebrities has gone down, it shows that Mr. Fan's domineering is not worth mentioning in Chinese films. In the case of national film and television culture, "a lonely place", as a representative of a national film person, he still wears such a dress that he refuses to communicate and Zhang Xian is domineering. He comes to Cannes to play with people and is increasingly out of season.

Although Fan Bingbing's "Poinsettia" crane dress has appeared on the cusp of international fashion, it can not represent the highest level of fashion in China.

Compared with the long pendulum skirt that swaying the floor, the narrow and stiff chest decoration of the crane dress is rather stingy to Fan Bingbing's bust, while the large crane crane pattern is not particularly consistent with the shape of the skirt.

The designer originally wanted to convey the feelings of clothing directly through the hand embroidering of the "three friends of the year" through a few dancing cranes, but the cultural flavor conveyed by the works is not so.

It is reported that from dragon robes to cranes and cranes, many oriental elements are used, but "Chinese style" is not only a stack of Chinese elements, but also an accurate and adequate reflection of Chinese cultural feelings.

Fan Bingbing wore a red robe dress in Cannes last year. Although the dragon is the symbol of the Chinese nation, it is also the symbol of imperial power. Dragon is the head of all animals, the God of all things, but dragon can not represent the fashion of modern China.

As a cultural ambassador representing a country or a nation, as a designer representing the stars of Chinese fashion symbols, the designer has a heavier social responsibility.

Costumes are cultural, and advanced tailored dresses should reflect the fashion sentiments and cultural connotations that designers and dresser want to express.

If Fan Bingbing goes to the Cannes Film Festival as a judge or guest, she can choose some clothes that can represent her own character. But if she works with her, she should combine her role and concentrate on her cultural connotation.

Compared with last year's Dragon Robe, Fan Bingbing's show of Cannes's Poinsettia crane was improved this year. However, when the designer tried to show his elegant demeanor in his simple way, he finally added something more and more plainly.

Designers may have a lot of things to express through this dress, but people can read a message from your dress, in fact, you have succeeded.

After the stunning appearance of Fan Bingbing's Poinsettia crane, the designer revealed the value of the dress through the media: the concept was incubated for two years, and more than 70 workers spent four months on hand making.

These data make people feel that the poinsettia crane seems to be more valuable than the wedding dress of Prince William's wedding to Princess Kate Middleton.

Many advanced tailored dresses are of great value to consume human material resources. It seems that this is the top of fashion in the eyes of the wealthy and stars who push China's luxury consumption to its peak.

It is reported that in fact, the value of clothing lies not in price but in culture, whether it is in line with international fashion trends and clothing environment, whether it accurately conveys the mood of clothes, and whether it shows the posture, temperament, taste and hidden connotation of the wearer perfectly.

Beijing satellite TV has done a "2010 China Fashion ceremony". Many Chinese stars are dressed in evening gowns to come out and show fashion. They feel that they are carrying a lot of fabrics. Such a dress that is "clothes without people" has not been properly solved. What does it mean to represent luxury and fashion? The more advanced custom made dress, the more simple it should be. Clothes are always used to foil people.

When Prince William was married, the bride's wedding dress was not very particular. It didn't have much fancy. It just noticed the tailoring of body beauty and modern feeling according to the body curve, and the lace used in the self-cultivation part was especially suitable for the Royal Wedding atmosphere.

This is consistent with the idea of low profile, green, environmental protection, and "low-key luxury" displayed by fashion brands in the international fashion society.

One year, Gong Li displayed a black dress with dragon pattern and many cheongsam elements on the red carpet of the Cannes Film Festival. This dress is not a cheongsam dress. It is integrated with Gong Li's body. The place for self-cultivation is concealed, and the exposed place is exposed, with the charm of Chinese national dress Qipao.

How valuable is it to be able to deduce the soul of Chinese fashion elements and show the charm of Chinese charm?

The failure of the three major film festivals reflects the crisis of Chinese films.

Jill Jacob, chairman of the Cannes Film Festival, did not conceal the disappointment of Chinese films: "China's films did not meet Cannes's expectations.

The quality of movie art, aesthetics, directing and so on should be kept in the real world.

The Chinese movie in Cannes is so high, so is the Chinese dress displayed on the red carpet in Cannes? In the tide of commercialization, the Chinese dress that also lost "true self" and "real state" has been lost. How can we get out of the puzzle?