There Are One Thousand Women Who Have One Thousand Kinds Of Opinions.

Dior Lady "I saw" art exhibition opened in Shanghai recently.

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In 1995, Dior Lady handbag was first presented to Princess Diana by the first lady of France.

This time, the classic Dior Lady handbag as inspiration for artistic creation, Mousika collided with the unique sparks in the hands of world-famous photographers, visual artists, sculptor artists and filmmakers.

In May 13, 2011, Dior Lady "I saw" art exhibition was held in Shanghai.

Dozens of artists' Dior Lady works are staged in the atrium of Hang Lung Plaza, Shanghai, and will continue until June 15th.

In the exhibition hall which is not vast, there are more than ten solid sculpture works and dozens of photographic works.

In the screening room of the exhibition hall, three filmmakers' special video clips are also playing at the same time.

Perhaps the most attractive sight is the glass sculpture of Olympia Scarry, which is full of exploding sensation: a glass shaped handbag burst from both sides as if it had caught a bullet passing through the bag and shook it for a moment.

His choice of materials reflects the uncertainty of energy in the mind and matter, and the image of violence covered by glass reflects the imbalance between weakness and strength, protection and aggression.

Eventually, the artwork, entitled "Lady driving to 2011", shows the strength of today's women and the beauty of unbroken destruction.

Another work from Kohei Nawa, Japanese sculptor, is also very personal.

In his work "PixCell-Bag, Dior Lady, Grey and Silver Python", the main body is a snake skin Dior Lady handbag, and the handbag is covered with dense pparent glass beads, similar to the huge dewdrops.

On the one hand, the life of the bag is exaggerated by the dew on the python. On the other hand, it conveys the concept of free interpretation: from the shell, the texture and color of the objects are filtered and scattered into numerous independent prisms, thus becoming the visual medium for snooping the existence of the bag.

Relatively speaking, the photographic works displayed on the walls are easier for people to interpret the artistic imagination related to stories.

"In this work, I made up an era, invented a scene, let a wig woman appear in an unknown place, the classic Dior Lady bag has been accompanied by her, I want her to stay in the history of a certain moment to see a miracle in ordinary life."

As the only Chinese photographer in the exhibition, Shi Xiao Fan put women and bags in unrestricted time and space, leaving behind a thoughtless figure of women and bags.

Surrounded by these works, the four short films "a woman, four cities" in the showroom are very popular.

This four episode is performed by Oscar Marion Claudia (Marion Cotillard), which is based on Paris, New York, Shanghai and London. It tells four very different stories about women and bags.

David Lynch, the director of David Lynch, depicted a "suspense" story: a blue handbag cloud suddenly appeared in the hotel room, and at a loss, Marion summoned a couple of security guards to suspect the ghost of Lynch.

Although the acting skill of the movie is beyond doubt, it is still not enough for the two poker players who can not remember their English lines.

As a matter of fact, the world's fashion brands in the Chinese market are making a lot of content in the Chinese market.

But the difficulty of this kind of film is to grasp the theme. If the content of the movie itself is not narrated well, it will easily become an embarrassing lengthy version of the advertisement.

Chanel's "Paris Shanghai Rhapsody", which was shown on the Shanghai show last year, has always been popular with fashion circles. However, the film directed by Karl Lagerfeld, the design director, lacks the accurate grasp of Chinese culture. "Karl Lage,"

Coincidentally, Prada adopted the "Year Plan" adopted by Chinese director Yang Fudong, which also chose Shanghai as the background, but it just took the two cultural integration scales properly.

By contrast, the other three films in the exhibition show a clear and refined interpretation of their urban culture.

The exhibition also has an interactive design stage. Visitors can choose their own color patterns and materials on the classic style, and design unique styles.

In the design of the display, the box appearance, the rice tattoo quilt, the two short handles, the long shoulder strap, the metal Dior letter pendant adornment -- from these invariable elements, we can get a glimpse of the style concept of Dior Gianfranco design director Franco Ferre Gianfranco.

This steady style has been changing with the times, from steady black and red to fresh beige and white, to lively pink and intense collision, and from soft sheepskin to cowboy, from snake skin to ostrich tattoo.

And this exhibition is a bold presentation of this change to the extreme.

Maybe this is the classic cultural energy: getting the changeable experience in the constant style.