Art Stock: Is China Ready?

According to the insiders, in the development of Chinese art market and capital market, the cultural exchange as a new market form can promote the socialization and popularization of the market.

Some people also say that Tianjin's art share trading is "unattainable art."

"Splitting" is the key word in the operation of Wen Hui.

It is the essence of art stock to package a piece of art which is worth a lot of value and then split it up.

"Works of art are natural.

Mei Jianping, a professor at the Yangtze River Business School, is also optimistic about the future of the art market. In his view, the art market will inevitably keep pace with the stock market and the property market and become the third pole of the investment market.

Dong Yi, chief executive of Cci Capital Ltd, said that the financial turn of art will be the trend of the times.

However, we can also hear another query: is the art stock trading method suitable for the present China?

Chinese Gallery alliance Secretary General Xi Mu also wrote in his blog in March 21st: "any form of capitalization operation is a combination of risks and benefits. Many times, high profits are often accompanied by high risks, and the operation of art capitalization is no exception.

In particular, the development of Chinese art market is still in the immature stage, and the capitalization of art is still in the exploratory stage. Its operation is often more risky than gains.

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He also said: "although the cultural exchange is a good form of paction, the exchange is also a good phenomenon. However, the result of rushing into the crowd is that the most likely outcome is to go down under the condition that it is not ready for maturity."

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Hu Yuyue, director of the securities and Futures Research Institute of Peking University, thinks that standardization is the basic requirement to correct online pactions, and artworks are personalized products, so the combination of these two is not appropriate.

It is reported that the Zhengzhou cultural exchange, which will launch art stock trading, is different from the "Tianjin model". Its single art share trading is only open to no more than 200 members.

Zhang Baoying believes that "art is not entirely popular."

In addition, he also said that the Zhengzhou literary exchange will take seriously the process of product listing, "each artwork must be unique."

No doubt, for all the cultural exchanges, insiders or investors, in contemporary China, "art stock" is still an attempt to "cross the river by feeling the stones."