The Future Of Advanced Custom Fashion

Inheritance and development of Chinese traditional handicrafts

The combination of Chinese traditional handicraft and fashion is not easy. Their combination is often generalized or even fixed in several so-called "Chinese" or "national" elements.

Throughout the evolution of traditional handicrafts reflected in clothing, both the spring and autumn, and the folk market, equal, full of beautiful.

In our traditional aesthetics of life, small to a tiny thread, and the selection of pins and buttons can be as quiet as the style, material, color, and collocation, but reveal the social role, age, background and even belief of the wearer accurately.

Seeing the myth of Chanel, we can not help but applaud the marriage between advanced customization and folk workshops.

Advanced customization, as its name implies, is a high "French" Haut, which is not only reflected in price, but also a high position for every level of detail.

Nowadays, with the rapid development and the stylization of the garment industry, it is the uniqueness of traditional handicrafts and the ingenuity that comes from the ingenuity of generations.

No two Chanel camellia flowers will be the same, but they also emit the beauty of intelligence that can only be achieved by hand molding.

I hope the audience will see that my designs are embroidered from the masters, and they can also feel the nameless moving.

Embroidery is delicate and gentle, it will be full of Oriental hair beauty to the extreme; and embroidery needs to read, its exquisite and craft has too many claims and symbolic significance, if you do not understand the flavor, it will make these works pale.

Therefore, the value of traditional handicraft is hard to calculate simply according to working hours. What we badly need is the admiration and recognition of this supreme skill, and docking it with high fashion, in order to achieve the value affirmation of harmony.

If you understand the meaning of thousands of different patterns in China, you will sincerely praise the auspicious meaning of the bride's skirt.

I hope that Babel is just a legend. When you learn and read, you will surely begin to appreciate it. After that, I agree with you.

What we are striving for is the traditional Chinese handicraft, which is a source of profound knowledge, which is blooming in the soil of high fashion, and thus gathering huge potential consumers in China.

Only we ourselves know our culture best, don't we?

The combination of culture and dress

Traditional Chinese culture has been reflected in clothing and clothing for a long time. Traditional elements are the core of Chinese formal aesthetics.

This is what I learned in designing the costumes of Kunqu Opera.

The history of operas can be traced back to thousands of years.

Until Tang Ming emperor Li Longji, a famous opera fan, played in the garden of his garden called "Li Yuan", and personally drummed, the Chinese opera costumes were made in this style.

Therefore, opera costumes are derived from the court and are beautified and exaggerated.

System Scripture gives us the rules to be followed, broken down to different levels and divided into tracks and characters.

For example, color, opera costumes are divided into "five colors" and "five colors", and "five colors" are used by those noble kings, gentlemen, national military and other positive figures; and the "five colors" are used by other negative characters, the grass hill hills, and the common people.

From the color, we can identify the emperor and minister, the army, the people, the good and the evil.

Let's talk about style, fabric, and color: for example, the difference between a scholar and a student can be seen.

Young scholars will wear "weak crown", step on the low ankle ankle shoes, and adults will be required to wear soap boots and "wing cap" after being official.

Looking at the official costume of Ming Dynasty, you will be surprised to find that 95% of the elements are exactly the same as those of Beijing opera.

For example, the unmarried lady has a front apron and a middle apron tied with ribbons. The hair is also shoulder drop, clear and crisp, with little hair ornaments and elegant colors. While the woman wears a "Luo skirt", the hair is bun, with seven drill holes on the hairline, and a strong color is used to show the status.

If you have the time to visit the Imperial Palace Museum in person, you will find that the similarity between clothing and costumes from Kangxi and Qian Long is high.

Whether or not it comes from the inextricable connection of traditional culture, it is very close to us.

The artistic value of advanced custom fashion

Platon once said that the distance between reality and ideal is separated by an uncontinuous distance. Only art can be used to imitate the realm of ideal beauty that is hard to reach.

I hope that my design is constantly conveying the message that clothing can be beautiful to the extreme, or even unreal; in other words, the pformation from reality to ideal is the distillation from practicality to art.

The myth of "one thousand and two nights" is still vivid. Many people are surprised at the height of their shoes, and many people remember the tall flowers and the inverted skirts.

These elements seem to lift the wearer from reality, perhaps this is the pursuit of "upward" by Platon in my subconscious.

Many people commented that my work was extravagant, from details, material selection, edition to the overall temperament, but few people identified "this luxury is not luxury."

Perhaps you have focused too much on the practical considerations, such as the crystal and fur that I have persisted in, and the long hours that I have been working on.

The Rococo style is also luxurious or extravagant, graceful or lazy.

My expectation in design is more likely to be the momentum of always rising, so I intend to replace the wearable practicability with the shock that is hard to achieve; and the beauty of the platform will be solemnly overturned with ceremonial feelings.

May my design not only satisfy the wearer's preferences, but also show the beauty of this dress more in the temperament that it gives the wearer, like the golden fighting armor of the holy warrior.

I think the design itself is especially important for people's recognition and appreciation. It keeps pouring the power of spirit into its owner.

This, too, is greatly reflecting the unique and artistic expression of the advanced custom fashion.

I firmly believe that when all the best and exquisite dreams come true, my design is closer to the ideal beauty.

From drawing to making, every step is from reality to ideal.

I even persistently tried to turn "possibility" into "impossible", and pushed the elegance to the amazing, thus announces to people that the advanced customization itself is a work of art. It is priceless and worth treasuring.

And I am also confident that with the growing popularity of new people, the return and accumulation of traditional culture will definitely enable them to further recognize and cherish the advanced custom fashion that combines traditional handicrafts.

That's the unique custom of our Chinese.

At that time, we will also welcome and support the advanced custom garments that integrate Chinese elements as the Japanese speak of the sense of honor in kimono.

It is not only for our clothes, but also a collection of valuable works of art.