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    Where Will The Custom Clothes Go? Combination Of Salute And Return

    2010/7/23 12:25:00 155

    Customized



    In the second ten years of this century, what will be the future of customized clothing? At present, it is not the unreachable future that brings designers inspiration, but the lost years.

    Valentino announces the news of opening archives to the public, setting the tone for this season. Designers pay tribute to the founders, or review their personal classics, and have cast their eyes on the past decades.


    Chanel lion king return


    Karl Lagerfeld lives in the The Grand Palace of Paris, erect a golden statue of Venice lion up to 12 meters. The purpose of paying tribute to the founder is obvious. Gabrielle Chanel is a Leo.

    Born in August 19th, Chanel has a typical Leo feature. It is a workaholic that is awed by senior tailors, and no model can come out before she has examined and rigorously trimmed.

    With the help of the magnificent scenery, Lagerfeld shows a magnificent series of royal style, trying to recreate the pride and domineering of this legendary woman.


    Of course,

    Chanel

    It is the design concept of "less is more" and the use of black and white colors. But her aesthetics also has the beautiful side of Baroque. She likes the color of gold, and she has been asked to paint the canvas in gold on the walls of every room in the apartment.

    The new work of Lagerfeld reflects this. In terms of color, he chooses to avoid the usual black, and displays the rich and deep autumn and winter with more rich hazelnut, ochre, chlor brown, magenta, gold bronze, midnight blue and so on. The integration of gold thread, gold buckle and gold sequins creates the luxury of court, and the round shoulder lines symbolize armor.


    Armani Priv is concise and stylistic.


    Giorgio Armani will never pretend to be an artist, though his landmark streamlined clothing does contain some modern architectural elements.

    Fashion always seeks change. Armani believes in the consistency of style. When other designers are self defeating, he always insists on the same clean tailoring, rational design and the same minimalist color.

    Like many past fashion masters, Armani has created a highly recognizable palette -- the earth color system from Italy and the desert, and the new series, named amber game, is a concentrated representation of the chromatogram, from flesh color and honey color to brown and brass.


    Evening dress


    A popular course

    uniform

    In fashion week, Armani's attention to Japanese dress is a pleasant surprise. Besides, tailoring is his strong point.

    The edge of the coat and half skirt is cut into a romantic arc, which is more feminine than the draped windbreaker. The woolen dress and sleeveless suit are of the same fluency as the silk, and the wrinkle effect is graceful without the dazzling technique.

    As for evening wear, long and ground lines are not complicated, but are embellished with countless sequins and crystals.


    Jean Paul Gaultier Parisians


    Perhaps because he is French, Jean Paul Gaultier can always catch the essence of Paris: the color of autumn, the shiny leather, the right nudity, and the sound of high heels hitting the slate road after rain.

    This season, he made a French meal again, starting from the windbreaker, the twentieth Century Paris style suit, the black dress, the smoked coat and the evening dress. The model of the wrapped scarf, like the black movie protagonist of 1940s, has a strong appeal in the fur coat. The bat sleeve dress tells the romance and temptation, and the Eiffel Tower on the stockings.


    At the end of the conference, the star Dita Von Teese stripped off the black skirt, and wore only a high tube stocking and a body shaping bra made of lining bone. She joined hands with Gaultier. This funny section was not unfamiliar. In fact, VonTeese was not the first time to appear on Gaultier's show.

    The designer said in the background that the theme of the new series is to restore the "bare bones" of the uniform, that is, to re portray the classic old costume outlines.

    Tall shoulders, pendant sleeves and raised hips are all dramatize by Gaultier's imagination.


      

    Christian Dior

    In the Mood for Love


    Christian Dior is a person who loves flowers. This is known to all.

    When he was a child, he spent time with his mother behind the flowers, and tried to remember the names of each plant. When he became designer, he regarded women as flowers. The original name of the new style series was actually "corolla" - "fine waist like a vine, and a full skirt like a flower petal."

    He once wrote.

    Starting with the tulip line created by Dior in 1953, John Galliano, the avatar gardener this season, launched a flower Theme Conference. The model is like a bunch of upturned flowers. The color pparent paper on the head is the plastic wrap of bouquet. The light dress is a newly blooming orchid, crocus or poppy.

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    Color is the biggest highlight of the series.

    Although the tone used by Galliano comes from nature, and most of them are hand colored, the vivid combination, halo and gradient effect make them look more like NickKnight 3D videos.

    The description of flowers is not only in one aspect, but also in outline.

    Through different levels of fabric changes, Dior workshop artists have successfully interpreted the wrinkles, fragile texture and wind drift of petals, and thousands of meticulous "Wugan gauze petals" have been combined into a chrysanthemum from black to white, which is almost lifelike.


    Givenchy old salon reopens


    Even the end of Hubert de Givenchy herself deviates from the iconic classical style at the end of her design career. For the current Riccardo Tisci, it is not a wise decision to stay away from Audrey Hepburn's conservative line and go her own way.

    But even if he chooses to ignore the archives of the fashion house, it does not mean that Tisci is not a nostalgic person.

    This season, he gave up the T show mode and released new clothes in a more private and static way, reminiscent of the tradition of former celebrities in the fashion house salon's appointment viewing exhibition. Tisci said the move was mainly to highlight the exquisite and complex production quality of the new series of fashion.


    Although the number of clothes displayed has been reduced from 10 sets in the past 30 to Givenchy, the craftsmen of the Givenchy have not been idle. It takes thousands of hours to complete a long embroidered dress. Any lines and patterns are symbolic, echoing the works of FridaKahlo and the beliefs and legends of South America.

    Tisci has always been fascinated by religious and anatomical themes. This series is no exception: lace and stone outline the skeleton of human body, and thick silk tassels are alluded to hair.


    Valentino young lady


    Valentino's fashion has always served beautiful women. Maria Grazia Chiuri and Pier Paolo Piccioli are well versed in this, but this season they set the age of women too young.

    The starting point of the new series can be traced back to the early works of Valentino in 1960s. Chiuri and Piccioli used the square cut and air profile of the founder to pform it into a much more visually cute doll dress design.

    Except for a few long skirts, the hem of the garment always stays at the root of the thigh.

    A large number of pparent, plucent and lightweight fabrics are used to make this autumn winter series look like it was designed for spring and summer.


    In addition to bold changes in proportion, Chiuri and Piccioli did not make any other special moves. The three major colors of powder, white and black strictly followed the tradition of Valentino. Velvet decorating on the gauze skirt, bow tied on the chest and cuffs, pure lace and so on were also the feminist masterpieces of Valentino. Only a skirt like A skirt and a bird cage like cloak showed the interest of the new designer.


     
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