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    Costumes Reflect Beijing'S Urban Life.

    2008/4/8 13:28:00 18

    Costumes Reflect Beijing'S Urban Life.

    During the cultural revolution, the red hurricane came down from the sky. The most simple color of the Chinese land was left, and all the dress beauty was criticized and swept away.



    The girl dressed in military uniform has changed significantly after the founding of new China in Beijing.

    The escalation, decline and rebound of every dress mainstream can reflect the political situation, economic foundation and technological level of the country at that time.



    In the early days of new China, the dress styles of the PLA and government cadres quickly became the objects of urban youth's appreciation and chasing.

    "Revolutionary, plain living" popular clothing has become the mainstream of course.

    Men have Zhongshan suit, cadre clothes, and Lenin's clothes.

    The so-called Lenin costume is actually not the dress style that Lenin once passed or promoted.

    It is nothing more than a suit made by Western-style clothes, such as big lapel, big cover, double breasted, slanting pocket, and a belt with copper buckle.


    In 50s, most of the beautiful costumes for frugal and individualized families were made by family. The girls and mothers with clever hands imitate the style of the pictorial newspaper and do their own work to make the uniform fit and the cotton shirts become beautiful.


    60s, which has been hit by natural disasters and man-made disasters, is an extremely difficult period in the history of new China.

    Grain and cotton production in large quantities, clothes can only be "new three years, old three years, sewing and patch three years."

    In the field of ideology, the slogan "be vigilant against revisionism" is deeply rooted in the hearts of the people. People's thoughts are highly unified and their dressing is the same, leaving only three monotonous colors of blue, gray and black.


    "Five feet of guns and valiant heroines, the dawn dawning on the field.

    The Chinese children are so ambitious that they do not love red clothes and love arms. "

    (Mao Zedong: "for female militiamen" 1961) in the era of passionate burning, this poem spread like wildfire, and was soon melodied and penetrated into the hearts of young girls.

    They were proud to wear the uniform of their military uniform. "Not to love red dress" has become one of the symbols of the revolutionizing young women.


    During the cultural revolution, the red hurricane came down from the sky. The most simple color of the Chinese land was left, and all the dress beauty was criticized and swept away.

    In the crazy years, clothing factories and clothing stores repeated several patterns: military uniform and Chinese tunic.


    In order to realize the macro regulation and control of the cotton market, and to distribute the cloth quilts to more than ten feet per person per year, the primary standard for the people to buy clothes is strong and durable.

    In order to solve the shortage of cotton cloth, the chemical fiber industry has been developing unusually.

    During this period, the "Dacron", which was both bright and bright, was very popular.

    Even in the era of single color, people's love for beauty will still be revealed. The pursuit of beauty conveyed in this simplicity has left a distinct impression of the times in people's memory, and it has been telling and remembering for many years.

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